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Title
A name given to the resource
Digital Publications
Digital Publication
URL
http://vmo.unive.it/inventory1720/
Publication Date
8 September 2019
Last Update
1 May 2020
Editor
Luigi Collarile
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Title
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<strong>Marchio Angeli’s Inventory (1720).</strong> <br />The Music Books of the Ducal Chapel of St Mark’s, Venice
Language
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English, Italian
Creator
An entity primarily responsible for making the resource
Luigi Collarile
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http://vmo.unive.it/files/original/af493dfa6d6f84a5127d95d196b8e32c.pdf
1d7c9efd72527e62a3b6030200927cac
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Title
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Conferences
Description
An account of the resource
Conferences Related to Venetian Music
Conference
URL
http://www.accademiafilarmonica.org/filarmonica/en/convegno-internazionale-2018/
Dates
1–3 June 2018
Location
The location of the interview
Verona, Accademia Filarmonica
Closing Date
Last day of the conference, after these, the conferences will appear in "Past Conferences"
20/11/2371
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Title
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The Soundscape of the Venetian Terraferma in the Early Modern Era
Description
An account of the resource
<h2><strong><br /><span>International Conference celebrating 475 Years of the Accademia Filarmonica of Verona<br /></span><br /></strong></h2>
1 – 3 June 2018<br /><br /><br />The Soundscape of the Venetian Terraferma in the Early Modern Era is an international conference organized by the Accademia Filarmonica of Verona on the occasion of the 475th anniversary of its foundation (23 May 1543), in collaboration with the University of Verona, Ca’ Foscari University of Venice, the University of St Andrews and the Conservatorio “E. F. Dall’Abaco” of Verona. Natural sequel to 'The Soundscape of Early Modern Venice' (Ca’ Foscari University of Venice, 24-27 May 2017 – vmo.unive.it/soundscape2017), this further initiative has the aim of increasing debate on the varied soundscape of the Venetian Terraferma in the early modern period. This territory, which stretched from Bergamo in the west to the Friulian Alps in the north-east and the river Po at the Republic’s southern extremity, formed one of the three subdivisions of the Serenissima; the others were the Dogado (Venice and surrounding area) and the Stato da mar (Venetian possessions in the eastern Adriatic and Mediterranean areas). The articulate system that regulates musical and non-musical sound in the Venetian territories prior to the fall of the Serenissima in 1797 is highly conducive to an interdisciplinary approach which draws on the new perspectives offered by urban history, humanistic geography and historical anthropology. Emblematic, in this sense, are the activities of the Accademia Filarmonica, which have dominated almost five centuries of local musical history. <br /><br />Peer-reviewed contributions will be published in a dedicated volume, scheduled to appear in 2019.<br /><br /><strong>Organizing committee</strong> <br />Alessandro Arcangeli (University of Verona) <br />Vincenzo Borghetti (University of Verona) <br />David Douglas Bryant (Ca’ Foscari University of Venice) <br />Luigi Collarile (University of Geneva) <br />Michele Magnabosco (Accademia Filarmonica, Verona) <br />Laura Moretti (University of St Andrews) <br />Laura Och (Conservatorio “E. F. Dall’Abaco” of Verona) <br /><br />
Subject
The topic of the resource
International Conference celebrating 475 Years of the Accademia Filarmonica of Verona
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http://vmo.unive.it/files/original/32c4ea84c560b2481547d10ae3633c31.pdf
b0048635deb7870020aa40646c1012e1
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Notes for Authors
Description
An account of the resource
Document available at http://vmo.unive.it/venetian_studies
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http://vmo.unive.it/files/original/686857ae93c70fb4d3bd4875e7dda70a.jpg
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Title
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Venetian Music Studies (Brepols)
Music Study
Series
VMUS 1
Format
IX+262 p., 124 b/w ill., 216 x 280 mm, 2016
Year
2016
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Title
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Giovanni Gabrieli. Transmission and Reception of a Venetian Musical Tradition
Creator
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R. Baroncini, D. D. Bryant, L. Collarile (eds)
Language
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English
Description
An account of the resource
Knowledge and debate in the field of sixteenth- and early seventeenth-century Venetian music has greatly benefitted in recent decades from studies of major institutions, composers, repertories and sources, as also from investigations of the quantitative aspects of musical life in what was one of the largest, richest and most commercially oriented cities on the Italian peninsula: the Venetian musical phenomenon includes, on the one hand, regular or sporadic musical activities in the city’s many churches and private palaces (activities which provided significant earnings for large numbers of musicians, whether or not salaried members of the ducal cappella) and, on the other, the auxiliary trades of music printing and instrument making. The transmission of the musical repertories has also received notable attention: in particular, the contemporary and later reception of Venetian musical repertories in different political, linguistic and/or confessional areas. Central, too, have been questions of ‘sound’, both with regard to the particular interaction between musical composition, the spatial peculiarities and the specific liturgical and ceremonial traditions of the Venetian ducal chapel, and in the context of music-making at large.
This collection of essays on the life, times and works of a composer who ranks among the most outstanding musical personalities of his day variously unites these strands in an albeit partial attempt to interpret Giovanni Gabrieli’s output and activities in their Venetian context and, at the same time, cast light on their broader historiographical significance: on the one hand Gabrieli as point of synthesis of a complex Venetian musical tradition, on the other his interaction with and impact on contemporary musical life, his influence on later generations of composers both at home and abroad, the rediscovery of his achievements by nineteenth- and twentieth-century historians and performers, the revisitations of his music by twentieth-century composers.
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Title
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Digital Publications
Digital Publication
URL
http://vmo.unive.it/choirbooks/
Last Update
4 June 2020
Publication Date
24 May 2017
Editor
Luigi Collarile and David Bryant
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<strong>The Sound of St Mark's.</strong> <br />A Digital Catalogue of the Choirbooks with Polyphonic Music of the Venetian Ducal Chapel
Description
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<h3>A Digital Catalogue of the Choir Books with Polyphonic Music of the Venetian Ducal Chapel</h3>
by Luigi Collarile and David Bryant
Creator
An entity primarily responsible for making the resource
Luigi Collarile, David Bryant
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http://vmo.unive.it/files/original/8a876be507498c7db590b2a145dcaf70.jpg
ffed89b7ebb5d93b03cc97d98fcaeedc
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Title
A name given to the resource
Conferences
Description
An account of the resource
Conferences Related to Venetian Music
Conference
URL
<a href="http://vmo.unive.it/soundscape2017/">http://vmo.unive.it/soundscape2017/</a>
Place
Venice
Dates
24–27 May 2017
Location
The location of the interview
Ca' Foscari University of Venice
Closing Date
Last day of the conference, after these, the conferences will appear in "Past Conferences"
20/11/2072
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Title
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The Soundscape of Early Modern Venice
Description
An account of the resource
<p style="margin-bottom:.04in;line-height:.22in;"><span style="font-family:'Helvetica Neue', serif;"><span style="font-size:x-large;"><span>International Conference</span></span></span></p>
<p style="margin-bottom:.04in;line-height:.22in;"><span style="font-family:'Helvetica Neue', serif;"><span style="font-size:x-large;"><span>Venice, 24–27 May 2017</span></span></span></p>
<p style="margin-bottom:.04in;line-height:.22in;"><br /><br /></p>
<p style="margin-bottom:.04in;line-height:.22in;"><span style="font-family:'Helvetica Neue', serif;"><span style="font-size:large;"><span>Organised by the Ca’ Foscari University of Venice (Department of Philosophy and Cultural Heritage), in collaboration with the Archivio Storico del Patriarcato di Venezia, the Swiss National Science Foundation and the Spazio Svizzero in Venice</span></span></span></p>
<p style="margin-bottom:.04in;line-height:.22in;"><span style="font-family:'Helvetica Neue', serif;"><span style="font-size:large;"><span>On basis of new perspectives offered by urban history, humanistic geography and historical anthropology, the conference aims to bring together inter- and multidisciplinary approaches to the significance of “soundscape” in the context of the rich and complex urban system of early modern Venice. As a supreme example of “ceremonial city”, Venice is particularly suitable for investigating how soundscape interacts with urban space in the creation of an elaborate social and cultural identity.</span></span></span></p>
<p style="margin-bottom:.04in;line-height:.22in;"></p>
<p style="margin-bottom:.04in;line-height:.22in;"><span style="font-family:'Helvetica Neue', serif;"><span style="font-size:large;"><span>The conference forms part of </span></span></span><span style="font-family:'Helvetica Neue', serif;"><span style="font-size:large;"><span><i>The Sound of Eternity. A Digital Platform for the Polyphonic Choir-Books of the Ducal Chapel of St Mark’s, Venice</i></span></span></span><span style="font-family:'Helvetica Neue', serif;"><span style="font-size:large;"><span>, a research project</span></span></span><span style="font-family:'Helvetica Neue', serif;"><span style="font-size:large;"><span> </span></span></span><span style="font-family:'Helvetica Neue', serif;"><span style="font-size:large;"><span>funded by the Ca’ Foscari University of Venice (in continuation of </span></span></span><span style="font-family:'Helvetica Neue', serif;"><span style="font-size:large;"><span><i>The Sound of Eternity. Investigating the Choir Books of the Ducal Chapel of St Mark’s, Venice</i></span></span></span><span style="font-family:'Helvetica Neue', serif;"><span style="font-size:large;"><span>, funded by the Swiss National Science Foundation).</span></span></span></p>
<p style="margin-bottom:.04in;line-height:.22in;"></p>
<p style="margin-bottom:.04in;line-height:.22in;"><span style="font-family:'Helvetica Neue', serif;"><span style="font-size:large;"><span><b>vmo.unive.it/soundscape2017</b></span></span></span></p>
<p style="margin-bottom:.04in;line-height:.22in;"></p>
<p style="margin-bottom:.04in;line-height:.22in;"></p>
<p style="margin-bottom:.04in;line-height:.22in;"><span style="font-family:'Helvetica Neue', serif;"><span style="font-size:large;"><span><b>Organising Committee</b></span></span></span></p>
<p style="margin-bottom:.04in;line-height:.22in;"><span style="font-family:'Helvetica Neue', serif;"><span style="font-size:large;"><span>David Bryant, Augusto Celentano, Luigi Collarile, Renzo Orsini </span></span></span></p>
<p style="margin-bottom:.04in;line-height:.22in;"><span style="font-family:'Helvetica Neue', serif;"><span style="font-size:large;"><span><i>Ca’ Foscari University of Venice</i></span></span></span></p>
<p style="margin-bottom:.04in;line-height:.22in;"></p>
<p style="margin-bottom:.04in;line-height:.22in;"><span style="font-family:'Helvetica Neue', serif;"><span style="font-size:large;"><span>Please address all queries to: </span></span></span></p>
<p style="margin-bottom:.04in;line-height:.22in;"><span style="font-family:'Helvetica Neue', serif;"><span style="font-size:large;"><span>David Bryant – david.bryant@unive.it</span></span></span></p>
<p style="margin-bottom:.04in;line-height:.22in;"><span style="font-family:'Helvetica Neue', serif;"><span style="font-size:large;"><span>Luigi Collarile – luigi.collarile@unive.it</span></span></span></p>
Subject
The topic of the resource
On basis of new perspectives offered by urban history, humanistic geography and historical anthropology, the conference aims to bring together inter- and multidisciplinary approaches to the significance of soundscape in the context of the rich and complex urban system of early modern Venice. As a supreme example of “ceremonial city”, Venice is particularly suitable for investigating how soundscape interacts with urban space in the creation of an elaborate social and cultural identity.