Choirbook 14_16

Choirbook 14_16

Qui mane iunctum vesperi

Anonymous (source)

Qui mane iunctum vesperi (pp. 97–98)
Caelorum pulset intimum (pp. 99–100)

4 vocal parts: [Cantus], [Altus], [Tenor], [Bassus].
Strophe 4 has extra part in canon at upper 5th with [Bassus]; the latter is marked ‘In diapente’ [Canon].

G2, C2, C3, C4

Hymn Lucis creator optime, strophes 2 and 4

PD, fol. 86r: ‘Dominica ad Vesperas. [...] Hymnus. [...] Praedictus Hymnus cum suo versu dicitur a Dominica ij. post Epiphania[m] usque ad Dominicam primam Quadrag. et a Dominica tertia post Pentec. usque ad Adventum.’
VOM, fols 26v (1st Sunday after Octave of Epiphany, Vespers), 29v (3rd Sunday after Epiphany, Vespers), 30r (4th Sunday after Epiphany, Vespers), 30v (5th Sunday after Epiphany, Vespers), 30v-31r (Septuagesima Sunday, Vespers), 32r (Sexagesima Sunday, Vespers), 32v (Quinquagesima Sunday, Vespers), 67v (1st Sunday after Pentecost, Vespers)

Hymn

I-Vsm, C.84/1–6 (see Passadore, Rossi: San Marco, no. 788, 41)

Attribution to Bonaventura Furlanetto in Passadore, Rossi: San Marco, no. 1934 (17).

Collarile: Suono dell’eterno
Passadore, Rossi: San Marco, no. 1934 (17)

2
Qui mane iunctum vesperi,
Diem vocari praecipis:
Tetrum chaos illabitur,
Audi preces cum fletibus.

4
Caelorum pulset intimum,
Vitale tollat praemium:
Vitemus omne noxium,
Purgemus omne pessimum.

Choirbook 14