Choirbook 13
| SHELF MARK | Basilica di San Marco, Libri musicali 13 |
| SHORT TITLE | Collection of 21 Anonymous Works: 4 Hymns, 2 Motets and 2 Magnificats (polyphonic); 1 Kyrie, 1 Alleluia and 11 Antiphons (plainchant) |
DESCRIPTION
| IDENTIFIER | DOI: 10.14277/unive/vmo/soundstmark/2017/choirbook13 |
| PHYSICAL DESCRIPTION | 33 sheets In-folio. Maximum sheet size (mm): 476 (height) x 372 (width) Before restoration (2015), the first and last sheets were glued to the front and back covers respectively: both were detached during restoration. In or after the second half of the eighteenth century, the sheets were numbered in pen from 1 to 32 in the upper right-hand corner of each recto, beginning on what is now the second sheet. The manuscript contains five sections, compiled in various periods by four different copyists and subsequently bound together: Section 1: sheets 1–15 (numbered [1]–14): items 1–4 Section 2: sheets 16–18 (numbered 15–17): items 5–17 (plainchant) Section 3: sheets 19–22 (numbered 18–21): item 18 Section 4: sheets 23–27 (numbered 22–26): item 19 Section 5: sheets 28–33 (numbered 27–32): item 20 Three folios originally located between sheets 31 and 32 (numbered 30–31) were cut out and removed. The continuity of musical content indicates that the operation was carried out prior to the compilation of sheet 32. |
| BINDING | Cover in paperboard. Corners and spine reinforced with parchment. The binding certainly postdates 1755, as shown by an annotation on the verso of the final sheet, visible only after restoration of the volume in 2015 (insofar as the sheet was previously glued to the back board): see Notes. |
| MATERIAL |
Paper: 4 types Type 1: Sheets 1–15 (numbered [1]–14) Chain line width (mm): 36 Watermark 1a (centre of half-sheet): Crossbow in circle with trefoil Watermark 1b (centre of half-sheet): Flag (with 82 mm pole) and monograms ‘G’ ‘33’ Type 2: Sheets 16–18 (numbered 15–17) Chain line width (mm): 36 Watermark 2a (centre of half-sheet): Flag (with 82 mm pole) Watermark 2b (centre of half-sheet): Trefoil with number ‘3’ and, underneath, ‘G’ ‘3’ Type 3: Sheets 19–27 (numbered 18–26) and 33 (numbered 32) Chain line width (mm): 33 Watermark 3 (corner of sheet): Trefoil with letters ‘b’ ‘V’ Type 4: Sheets 28–32 (numbered 27–31) Chain line width (mm): 35 Watermark 4 (corner of sheet): Trefoil with letters ‘b’ ‘V’ |
| DATING | Section 1 and 2: before 1720 Sections 3, 4 and 5: before 1755 |
| COPYIST(S) | Four unknown copyists Copyist 1: Anonymous 7 (sheets 1v–18r, numbered [1v]–17[r]) Choirbook 12 was copied by the same anonymous copyist. Copyist 2: Anonymous 8 (sheets 19v–22r, numbered 18[v]–21[r]) Copyist 3: Anonymous 9 (sheets 23v–27r, numbered 22[v]–26[r]) Copyist 4: Anonymous 10 (sheets 28v–33r, numbered 27[v]–32[r]) |
| NOTES | The manuscript brings together four separate bibliographical units, compiled at different times and for different reasons. The first, third and final sections contain polyphony. The second section contains plainchant for Easter Vespers, when the doge and his retinue paid visit to the church of San Zaccaria, and for the feast of Sts Philip and James (1 May), when the procession made its way to the nearby church of the same name. The recto of the final sheet is marked ‘11’ (bottom centre). This number presumably identifies an earlier manuscript of which the sheet in question was probably an endpaper. In ms. 13, the sheet houses the end of the final composition. The following annotation appears on the verso of the final sheet: ‘D. Franc[esco] Bertolini fù sostituito | Custode de Musici l’anno 1755 li 25: maggio | per caduta Appopletica di D. Angelo | Vianello fù custode. –’. This annotation was not visible prior to restoration in 2015, insofar as the sheet was glued to the back board. The letter ‘L’ appears on the exterior of the back board. |
| LITERATURE | Caffi: San Marco Collarile: Suono dell’eterno Passadore, Rossi: San Marco, no. 1936 |
CONTENT
Choirbook 13_01
| INCIPIT | Iam quod corruerit |
| COMPOSER | Anonymous |
| DESCRIPTION | Iam quod corruerit: sheets 1v–4r (numbered [1v]–3[r]) Sancte sit triadi: sheets 4v–6r (numbered 3[v]–5[r]) |
| SCORING | 4 vocal parts: Cantus, Altus, Tenor, Bassus |
| CLEFS | C1, C3, C4, F4 |
| LITURGICAL SOURCE | Hymn Custodes hominum psallimus angelos, strophes 2 and 4 |
| LITURGICAL FEAST | Feast of the Guardian Angels (2 October) cf. Cattin: San Marco, vol. 2, p. 304 |
| LITURGICAL GENRE | Hymn |
| LITURGICAL SOURCE | Hymn Custodes hominum psallimus angelos, strophes 2 and 4 |
| TEXT | 2 Iam quod corruerit proditor angelus Concessis merito pulsus honoribus Ardens invidia pellere nititur Quos caelo [‘caelos’ in source] Deus advocat. 4 Sanctae sit triadi laus pia iugiter Cuius perpetuo numine machina Triplex haec regitur cuius in omnia Regnat gloria saecula. Amen. |
| TRANSCRIPTION |
|
| NOTES | Text of hymn by St Roberto Bellarmino (1542–1621). |
| LITERATURE | Cattin: San Marco, vol. 2, p. 304 Collarile: Suono dell’eterno Passadore, Rossi: San Marco, no. 1936 (1) |
Choirbook 13_02
| INCIPIT | Beata quoque agmina |
| COMPOSER | Anonymous |
| DESCRIPTION | Beata quoque agmina: sheets 6v–7r (numbered 5[v]–6[r]) Martyres Dei inclyti: sheets 7v–8r (numbered 6[v]–7[r]) Gentem auferte perfidam: sheets 8v–9r (numbered 7[v]–8[r]) |
| SCORING | 4 vocal parts: Cantus, Altus, Tenor, Bassus |
| CLEFS | C2, C4, C4, F4 |
| LITURGICAL SOURCE | Hymn Christe redemptor omnium, strophes 2, 4 and 6 |
| LITURGICAL FEAST | First Vespers for the Feast of All Saints (1 November) PD, fols 131v–132r: ‘In Festivitate Omnium Sanctorum. Ad Vesperas, et ad Nocturnum. Hymnus’. Cattin: San Marco, vol. 2, p. 271 |
| LITURGICAL GENRE | Hymn |
| LITURGICAL SOURCE | Hymn Christe redemptor omnium, strophes 2, 4 and 6 |
| TEXT | 2 Beata quoque agmina, Caelestium Spirituum, Praeterita praesentia, Futura mala pellite. 4 Martyres Dei incliti Confessoresque lucidi, Vestris orationibus Nos ferte in caelestibus. 6 Gentem auferte perfidam Credentium de finibus: Ut Christo laudes debitas Persolvamus alacriter. |
| TRANSCRIPTION |
|
| NOTES | The text of the hymn is attributed to Rabanus Maurus (776–856). The text transmitted in the choirbook predates the version corrected by Pope Urban VIII and published in the Breviarium Romanum of 1629. |
| LITERATURE | Cattin: San Marco, vol. 2, p. 271 Collarile: Suono dell’eterno Passadore, Rossi: San Marco, no. 1936 (2) |
Choirbook 13_03
| INCIPIT | Tu lumen tu splendor Patris |
| COMPOSER | Anonymous Lotti, Antonio |
| DESCRIPTION | Tu lumen, tu splendor Patris: sheets 9v–10r (numbered 8[v]–9[r]) Sic praesens testatur dies: sheets 10v–11r (numbered 9[v]–10[r]) Nos quoque qui sancto tuo: sheets 11v–12r (numbered 10[v]–11[r]) |
| SCORING | 4 vocal parts: Cantus, Altus, Tenor, Bassus |
| CLEFS | G2, C2, C3, F3 |
| LITURGICAL SOURCE | Hymn Christe redemptor omnium, strophes 2, 4 and 6 |
| LITURGICAL FEAST | Vespers and Nocturns of Christmas PD, fol. 108v: ‘In Nativitate Domini, Ad Vesp. et ad Noctur. Hymnus’. Cattin: San Marco, vol. 2, pp. 179–180 and 183–185 |
| LITURGICAL GENRE | Hymn |
| LITURGICAL SOURCE | Hymn Christe redemptor omnium, strophes 2, 4 and 6 |
| TEXT | 2 Tu lumen, tu splendor Patris, Tu spes perennis omnium: Intende quas fundunt preces, Tui per orbem famuli. 4 Sic praesens testatur dies, Currens per anni circulum: Quod solus a sede Patris, Mundi salus adveneris. 6 Nos quoque qui sancto tuo, Redempti sanguine sumus: Ob diem natalis tui, Hymnum novum concinimus. [‘concinnimus’ in source] |
| TRANSCRIPTION |
|
| OTHER SOURCES | I-Vsm, B.783 (see Passadore, Rossi: San Marco, no. 1118) |
| NOTES | The text transmitted in the choirbook predates the version corrected by Pope Urban VIII and published in the Breviarium Romanum of 1629 (Collarile: Suono dell’eterno). This hymn is attributed to Antonio Lotti in ms. I-Vsm, B.783: ‘Hymnus In Die Natalis Domini di Antonio Lotti’. See Passadore, Rossi: San Marco, no. 1118. |
| LITERATURE | Cattin: San Marco, vol. 2, pp. 179–180 and 183–185 Collarile: Suono dell’eterno Passadore, Rossi: San Marco, no. 1936 (3) |
Choirbook 13_04
| INCIPIT | Conscendit iubilans |
| COMPOSER | Anonymous Furlanetto, Bonaventura |
| DESCRIPTION | Conscendit iubilans laetus ad aethera: sheets 12v–13r (numbered 11[v]–12[r]) Oramus Domine conditor inclite: sheets 13v–14r (numbered 12[v]–13[r]) Praesta hoc genitor optime maxime: sheets 14v–15r (numbered 13[v]–14[r]) |
| SCORING | 4 vocal parts: Cantus, Altus, Tenor, Bassus |
| CLEFS | C1, C3, C4, F4 |
| LITURGICAL SOURCE | Hymn Festum nunc celebre manaque gaudia, strophes 2, 4 and 6 |
| LITURGICAL FEAST | Vespers of the Vigil of the Ascension PD, fols 114v–115r: ‘In Ascensione Domini. Ad Vesperas, et ad Laudes dicitur Hymnus. Iesu nostra redemptio, ut infra secundum Curiam Romanam: nos autem habemus sequentem in vig. Ascens. ad vesp. Hym. Festum nunc celebre […]’. Cattin: San Marco, vol. 2, pp. 221¬–222 |
| LITURGICAL GENRE | Hymn |
| LITURGICAL SOURCE | Hymn Festum nunc celebre manaque gaudia, strophes 2, 4 and 6 |
| TEXT | 2 Conscendit iubilans laetus ad aethera, Sanctorum populus praedicat inclitum: Concinit [‘concinunt’ in source] pariter angelicus chorus Victoris boni gloriam. 4 Oramus Domine conditor inclite, Devotos famulos respice protegens Ne nos livor edax daemonis obruat, Demergat vel in inferos. 6 Praesta hoc genitor optime maxime Et tu nate Dei ac bone Spiritus Regnat perpetuo [PD: ‘regnans perpetua’] fulgida Trinitas Per cuncta pie saecula. Amen. |
| TRANSCRIPTION |
|
| OTHER SOURCES | I-Vsm, C.84/1–6 (see Passadore, Rossi: San Marco, no. 788, 14) |
| NOTES | Hymn not present in the Breviarium romanum revised by Pope Urban VIII and published in 1629. The hymn is attribututed to Bonaventura Furlanetto in Passadore, Rossi: San Marco, no. 1936 (4). |
| LITERATURE | Cattin: San Marco, vol. 2, pp. 221–222 Collarile: Suono dell’eterno Passadore, Rossi: San Marco, no. 1936 (4) |
Choirbook 13_05
| TITLE IN SOURCE | [Sheet 16r (numbered 15[r]), in red ink:] ‘In die sancto pasch[a]e / In eccl[esi]a S. Zachari[ae] / Incipitur a sacerdote’ |
| INCIPIT | Kyrie eleison |
| COMPOSER | Anonymous |
| DESCRIPTION | Kyrie eleison: sheet 16r (numbered 15[r]) |
| SCORING | Plainchant |
| CLEFS | F3 |
| LITURGICAL FEAST | Easter Vespers |
| LITURGICAL GENRE | Invocation |
| TEXT | Kyrie eleison. Christe eleison. Kyrie eleison. |
| TRANSCRIPTION | |
| LITERATURE | Cattin: San Marco, vol. 3, pp. 49–51 Collarile: Suono dell’eterno Passadore, Rossi: San Marco, no. 1936 (5) |
Choirbook 13_06
| TITLE IN SOURCE | [Sheet 16r (numbered 15[r]), in red ink:] ‘Incipitur a sacerdote / Ant[iphona]’ |
| INCIPIT | Vespere autem sabbati |
| COMPOSER | Anonymous |
| SCORING | Plainchant |
| CLEFS | C3 |
| LITURGICAL SOURCE | CAO 5371 |
| LITURGICAL FEAST | Easter Vespers cf. Cattin: San Marco, vol. 2, pp. 80–81, 215–217, 500 and 502 |
| LITURGICAL GENRE | Antiphon |
| LITURGICAL SOURCE | CAO 5371 |
| TEXT | Vespere autem sabbati [‘sabati’ in source] quae lucescit in prima sabbati [‘sabati’ in source] venit Maria Magdalene et altera Maria videre sepulchrum. Alleluia. |
| TRANSCRIPTION | |
| NOTES | The antiphon is followed by a list of psalms (in red ink): ‘dixit dominus / confitebor / beatus vir / laudate pueri / In exitu’. These titles correspond to the sequence prescribed for Easter vespers by the Venetian ducal liturgy (Cattin: San Marco, vol. 2, p. 216). |
| LITERATURE | Cattin: San Marco, vol. 2, pp. 80–81, 215–217, 500 and 502; vol. 3, pp. 49–51 Collarile: Suono dell’eterno Passadore, Rossi: San Marco, no. 1936 (6) |
Choirbook 13_07
| TITLE IN SOURCE | [Sheet 16r (numbered 15[r]), in red ink:] ‘Ant[iphona]’ |
| INCIPIT | Haec dies quam fecit Dominus |
| COMPOSER | Anonymous |
| DESCRIPTION | Haec dies quam fecit Dominus: sheet 16r–v (numbered 15[r–v]) |
| SCORING | Plainchant |
| CLEFS | C3 / C4 |
| LITURGICAL FEAST | Easter Vespers cf. Cattin: San Marco, vol. 2, pp. 216, 378–379, 499–500 |
| LITURGICAL GENRE | Antiphon |
| TEXT | Haec dies quam fecit Dominus: exultemus et laetemur in ea. |
| TRANSCRIPTION | |
| NOTES | A further reference to the antiphon on sheet 17r (numbered 16[r]). |
| LITERATURE | Cattin: San Marco, vol. 2, pp. 216, 378–379, 499–500; vol. 3, pp. 49–51 Collarile: Suono dell’eterno Passadore, Rossi: San Marco, no. 1936 (7) |
Choirbook 13_08
| INCIPIT | Alleluia |
| COMPOSER | Anonymous |
| DESCRIPTION | Alleluia: sheet 16v (numbered 15[v]) Pascha nostrum immolatus: sheet 16v (numbered 15[v]) |
| SCORING | Plainchant |
| CLEFS | C4 |
| LITURGICAL FEAST | Easter Vespers cf. Cattin: San Marco, vol. 2, pp. 216, 500 and 502 |
| LITURGICAL GENRE | Versus alleluiaticus |
| TEXT | Alleluia. Pascha nostrum immolatus est Christus. Alleluia. |
| TRANSCRIPTION | |
| NOTES | Reference to the same versus alleluiaticus on sheet 17r (numbered 16[r]), after no. 10. |
| LITERATURE | Cattin: San Marco, vol. 2, pp. 216, 500 and 502; vol. 3, pp. 49–51 Collarile: Suono dell’eterno Passadore, Rossi: San Marco, no. 1936 (8 and 9) |
Choirbook 13_09
| TITLE IN SOURCE | [Sheet 16v (numbered 15[v]), in red ink:] ‘Ad Magnificat / Incipitur a sacerdote’. |
| INCIPIT | Post passionem Domini |
| COMPOSER | Anonymous |
| DESCRIPTION | Post passionem Domini (sheets 16v–17r, numbered 15[v]–16[r]) |
| SCORING | Plainchant |
| CLEFS | F2 |
| LITURGICAL SOURCE | CAO 4333 |
| LITURGICAL FEAST | Easter Vespers cf. Cattin: San Marco, vol. 2, pp. 81, 216, 499–500 |
| LITURGICAL GENRE | Antiphon |
| LITURGICAL SOURCE | CAO 4333 |
| TEXT | Post passionem Domini factus est conventus, quia non est inventum corpus in monumento: lapis sustinuit perpetuam vitam, monumentum reddidit caelestem margaritam. Alleluia. |
| TRANSCRIPTION | |
| LITERATURE | Cattin: San Marco, vol. 2, pp. 81, 216, 499–500; vol. 3, pp. 49–51 Collarile: Suono dell’eterno Passadore, Rossi: San Marco, no. 1936 (10) |
Choirbook 13_10
| TITLE IN SOURCE | [Sheet 17r (numbered 16[r]), in red ink:] ‘An[tiphon]a super fontem’. |
| INCIPIT | Alleluia |
| COMPOSER | Anonymous |
| DESCRIPTION | Alleluia (sheet 17r, numbered 16[r]) |
| SCORING | Plainchant |
| CLEFS | F2 |
| LITURGICAL FEAST | Easter Vespers cf. Cattin: San Marco, vol. 2, p. 81 |
| LITURGICAL GENRE | Antiphon |
| TEXT | Alleluia, alleluia, alleluia. |
| TRANSCRIPTION | |
| NOTES | After the antiphon, in red ink (sheet 17r, numbered 16[r]): ‘psalm[i] Laudate pueri / et In exitu Israel. / finitis psalmis Iterum / alleluia deinde An[tiphon]a’. After the psalms ‘Laudate pueri’ and ‘In exitu Israel’, the liturgical sequence prescribed the repetition of the Antiphon ‘Haec dies quam fecit Dominus’ (no. 7) and the versus alleluiaticus ‘Alleluia. Pascha nostrum’ (no. 8). |
| LITERATURE | Cattin: San Marco, vol. 2, p. 81; vol. 3, pp. 49–51 Collarile: Suono dell’eterno Passadore, Rossi: San Marco, no. 1936 (11) |
Choirbook 13_11
| TITLE IN SOURCE | [Sheet 17r (numbered 16[r]), in red ink:] ‘Ad magnificat / Incipitur a sacerdote’. |
| INCIPIT | Cito euntes dicite discipulis |
| COMPOSER | Anonymous |
| DESCRIPTION | Cito euntes dicite discipulis (sheet 17r–v, numbered 16[r–v]) |
| SCORING | Plainchant |
| CLEFS | F2 |
| LITURGICAL SOURCE | CAO 1813 |
| LITURGICAL FEAST | Easter Vespers cf. Cattin: San Marco, vol. 2, pp. 81 and 500 |
| LITURGICAL GENRE | Antiphon |
| LITURGICAL SOURCE | CAO 1813 |
| TEXT | Cito euntes dicite discipulis quia surrexit Dominus. Alleluia. |
| TRANSCRIPTION | |
| LITERATURE | Cattin: San Marco, vol. 2, pp. 81 and 500; vol. 3, pp. 49–51Collarile: Suono dell’eterno Passadore, Rossi: San Marco, no. 1936 (12) |
Choirbook 13_12
| TITLE IN SOURCE | [Sheet 17v (numbered 16[v]), in red ink:] ‘Feria 2a / ad magnificat’ |
| INCIPIT | Cognoverunt Dominum alleluia |
| COMPOSER | Anonymous |
| DESCRIPTION | Cognoverunt Dominum alleluia (sheet 17v, numbered 16[v]) |
| SCORING | Plainchant |
| CLEFS | F3 |
| LITURGICAL SOURCE | CAO 1848 |
| LITURGICAL FEAST | Vespers, Feria II after Easter cf. Cattin: San Marco, vol. 2, pp. 81 and 217 |
| LITURGICAL GENRE | Antiphon |
| LITURGICAL SOURCE | CAO 1848 |
| TEXT | Cognoverunt Dominum, alleluia in fractione panis, alleluia. |
| TRANSCRIPTION | |
| LITERATURE | Cattin: San Marco, vol. 2, pp. 81 and 217 Collarile: Suono dell’eterno Passadore, Rossi: San Marco, no. 1936 (13) |
Choirbook 13_13
| TITLE IN SOURCE | [Sheet 17v (numbered 16[v]), in red ink:] ‘super fontem’ |
| INCIPIT | Et coegerunt illum dicentes |
| COMPOSER | Anonymous |
| DESCRIPTION | Et coegerunt illum dicentes (sheet 17v, numbered 16[v]) |
| SCORING | Plainchant |
| CLEFS | F3 |
| LITURGICAL SOURCE | CAO 2692 |
| LITURGICAL FEAST | Vespers, Feria II after Easter cf. Cattin: San Marco, vol. 2, pp. 81, 500 and 502 |
| LITURGICAL GENRE | Antiphon |
| LITURGICAL SOURCE | CAO 2692 |
| TEXT | Et coegerunt illum dicentes: Mane nobiscum Domine, quia advesperascit. Alleluia. |
| TRANSCRIPTION | |
| LITERATURE | Cattin: San Marco, vol. 2, pp. 81, 500 and 502 Collarile: Suono dell’eterno Passadore, Rossi: San Marco, no. 1936 (14) |
Choirbook 13_14
| TITLE IN SOURCE | [Sheet 17v (numbered 16[v]), in red ink:] ‘Feria 3a / ad magnificat’ |
| INCIPIT | Videte manus meas et pedes meos |
| COMPOSER | Anonymous |
| DESCRIPTION | Videte manus meas (sheets 17v–18r, numbered 16[v]–17[r]) |
| SCORING | Plainchant |
| CLEFS | F3 |
| LITURGICAL SOURCE | CAO 5400 |
| LITURGICAL FEAST | Vespers, Feria III after Easter cf. Cattin: San Marco, vol. 2, pp. 82 and 217 |
| LITURGICAL GENRE | Antiphon |
| LITURGICAL SOURCE | CAO 5400 |
| TEXT | Videte manus meas et pedes meos quia ego ipse sum. Alleluia. |
| TRANSCRIPTION | |
| LITERATURE | Cattin: San Marco, vol. 2, pp. 82 and 217 Collarile: Suono dell’eterno Passadore, Rossi: San Marco, no. 1936 (15) |
Choirbook 13_15
| TITLE IN SOURCE | [Sheet 18r (numbered 17[r]), in red ink:] ‘super fontem’ |
| INCIPIT | Stetit Iesus in medio discipulorum |
| COMPOSER | Anonymous |
| DESCRIPTION | Stetit Iesus in medio discipulorum (sheet 18r, numbered 17[r]) |
| SCORING | Plainchant |
| CLEFS | F3 |
| LITURGICAL SOURCE | CAO 5032 |
| LITURGICAL FEAST | Vespers, Feria III after Easter cf. Cattin: San Marco, vol. 2, pp. 82, 217 and 502 |
| LITURGICAL GENRE | Antiphon |
| LITURGICAL SOURCE | CAO 5032 |
| TEXT | Stetit Iesus in medio discipulorum et dixit eis: Pax vobis. Alleluia. |
| TRANSCRIPTION | |
| LITERATURE | Cattin: San Marco, vol. 2, pp. 82, 217 and 502 Collarile: Suono dell’eterno Passadore, Rossi: San Marco, no. 1936 (16) |
Choirbook 13_16
| TITLE IN SOURCE | [Sheet 18v (numbered 17[v]), in red ink:] ‘In festo SS. Ap[osto]lor[um] Philippi et Iacobi’ |
| INCIPIT | Domine ostende nobis Patrem |
| COMPOSER | Anonymous |
| DESCRIPTION | Domine ostende nobis Patrem (sheet 18v, numbered 17[v]) |
| SCORING | Plainchant |
| CLEFS | C4 |
| LITURGICAL SOURCE | CAO 2365 |
| LITURGICAL FEAST | Vespers for the feast of St Philip and James (1 May) cf. Cattin: San Marco, vol. 2, pp. 88–89, 247; vol. 3, p. 112 |
| LITURGICAL GENRE | Antiphon |
| LITURGICAL SOURCE | CAO 2365 |
| TEXT | Domine, ostende nobis Patrem et sufficit nobis. Alleluia. |
| TRANSCRIPTION | |
| LITERATURE | Cattin: San Marco, vol. 2, pp. 88–89, 247; vol. 3, p. 112Collarile: Suono dell’eterno Passadore, Rossi: San Marco, no. 1936 (17) |
Choirbook 13_17
| TITLE IN SOURCE | [Sheet 18v (numbered 17v), in red ink:] ‘ad Magnificat’ |
| INCIPIT | Domine ostende nobis Patrem |
| COMPOSER | Anonymous |
| DESCRIPTION | Domine ostende nobis Patrem (sheet 18v, numbered 17v) |
| SCORING | Plainchant |
| CLEFS | C4 |
| LITURGICAL SOURCE | CAO 2366 |
| LITURGICAL FEAST | Vespers for the feast of St Philip and James (1 May) cf. Cattin: San Marco, vol. 3, p. 112 |
| LITURGICAL GENRE | Antiphon |
| LITURGICAL SOURCE | CAO 2366 |
| TEXT | Domine, ostende nobis Patrem et sufficit nobis. Alleluia. Philippe, qui videt me, videt et Patrem. Alleluia. |
| TRANSCRIPTION | |
| NOTES | The text is the antiphon at the Magnificat used during second Vespers for the feast of Sts Philip and James, celebrated in the church of the same name in the presence of the Doge and ducal chapel. |
| LITERATURE | Cattin: San Marco, vol. 3, p. 112 Collarile: Suono dell’eterno Passadore, Rossi: San Marco, no. 1936 (18) |
Choirbook 13_18
| INCIPIT | Cum complerentur dies Pentecostes |
| COMPOSER | Anonymous Lotti, Antonio |
| DESCRIPTION | Cum complerentur dies Pentecostes (sheets 19v–22r, numbered 18[v]–21[r]) |
| SCORING | 4 vocal parts: [Cantus], [Altus], [Tenor], [Bassus] |
| CLEFS | C1, C3, C4, F3 |
| LITURGICAL SOURCE | cf. CAO 2438 |
| LITURGICAL FEAST | Vespers for Pentecost cf. Cattin: San Marco, vol. 2, pp. 223–224 and 432; vol. 3: p. 61 |
| LITURGICAL GENRE | Motet |
| LITURGICAL SOURCE | cf. CAO 2438 |
| TEXT | Cum [BR: ‘Dum’] complerentur dies Pentecostes, erant omnes discipuli pariter in eodem loco et factus est repente de caelo sonus tamquam advenientis spiritus vehementis et replevit totam domum ubi erant sedentes. Alleluia. |
| TRANSCRIPTION |
|
| NOTES | The composition is attributed to ‘Lotti’ in the choirbook: see Passadore, Rossi: San Marco, no. 1936 (19). The composer’s name is annotated in pencil by a modern hand. |
| LITERATURE | Cattin: San Marco, vol. 2, pp. 223–224 and 432; vol. 3: p. 61Collarile: Suono dell’eterno Passadore, Rossi: San Marco, no. 1936 (19) |
Choirbook 13_19
| INCIPIT | Tres sunt qui testimonium dant in caelo |
| COMPOSER | Anonymous |
| DESCRIPTION | Tres sunt qui testimonium dant in caelo (sheets 23v–27r, numbered 22[v]–26[r]) |
| SCORING | 4 vocal parts: [Cantus], [Altus], [Tenor], [Bassus] |
| CLEFS | C3, C4, C4, F3 |
| LITURGICAL SOURCE | cf. Capitulum for the Vigil of Trinity Sunday (first Sunday after Pentecost) cf. Cattin: San Marco, vol. 2, p. 225 |
| LITURGICAL FEAST | Vigil of Trinity Sunday (first Sunday after Pentecost) |
| LITURGICAL GENRE | Motet |
| LITURGICAL SOURCE | cf. Capitulum for the Vigil of Trinity Sunday (first Sunday after Pentecost) cf. Cattin: San Marco, vol. 2, p. 225 |
| TEXT | Tres sunt qui testimonium dant in caelo: Pater, Verbum et Spiritus Sanctus, et hi tres unum sunt. Alleluia. Tres sunt qui testimonium dant in terra: spiritus, aqua et sanguis, et hi tres unum sunt. Alleluia. Benedictus sit Deus Pater Unigenitusque Dei Filius, quia fecit nobiscum misericordiam suam. Alleluia. |
| TRANSCRIPTION |
|
| LITERATURE | Cattin: San Marco, vol. 2, p. 225 Collarile: Suono dell’eterno Passadore, Rossi: San Marco, no. 1936 (20) |
Choirbook 13_20
| TITLE IN SOURCE | [Sheet 28r (numbered 27[r]):] ‘Magnificat / Amen’ |
| INCIPIT | Magnificat anima mea Dominum |
| COMPOSER | Anonymous Marsand, Anselmo |
| DESCRIPTION | Magnificat anima mea Dominum (sheets 28v–29r, numbered 27[v]–28[r]) Quia respexit humilitatem (sheets 28v–29r, numbered 27[v]–28[r]) Et misericordia eius a progenie (sheets 28v–29r, numbered 27[v]–28[r]) Deposuit potentes de sede (sheets 29v–30r, numbered 28[v]–29[r]) Suscepit Israle puerum suum (sheets 29v–30r, numbered 28[v]–29[r]) Gloria Patri et Filio (sheets 29v–30r, numbered 28[v]–29[r]) |
| SCORING | 4 vocal parts: [Cantus], [Altus], [Tenor], [Bassus] |
| CLEFS | C1, C3, C4, F4 |
| LITURGICAL SOURCE | PD, fol. 86r–v: Magnificat, verses 1, 3, 5, 7, 9 and 11 |
| LITURGICAL FEAST | Vespers |
| LITURGICAL GENRE | Magnificat |
| LITURGICAL SOURCE | PD, fol. 86r–v: Magnificat, verses 1, 3, 5, 7, 9 and 11 |
| TEXT | 1 Magnificat anima mea Dominum. 3 Quia respexit humilitaten ancillae suae: ecce enim ex hoc beatam me dicent omnes generationes. 5 Et misericordia eius a progenie in progenies timentibus eum. 7 Deposuit potentes de sede et exaltavit humiles. 9 Suscepit Israel puerum suum, recordatus misericordiae suae. 11 Gloria Patri et Filio et Spiritui Sancto. |
| TRANSCRIPTION |
|
| LITERATURE | Collarile: Suono dell’eterno Passadore, Rossi: San Marco, no. 1936 (21) |
Choirbook 13_21
| TITLE IN SOURCE | [Sheet 30v (numbered 29[v]):] ‘[P]rimi tuoni’ |
| INCIPIT | Magnificat anima mea Dominum |
| COMPOSER | Anonymous |
| DESCRIPTION | Magnificat anima mea Dominum (sheets 30v–31r, numbered 29[v]–30[r]) Quia respexit humilitatem (sheets 30v–31r, numbered 29[v]–30[r]) Et misericordia eius a progenie (sheets 30v–31r, numbered 29[v]–30[r]) Deposuit potentes de sede (sheets 31v–32r, numbered 30[v]–31[r]) Suscepit Israle puerum suum (sheets 31v–32r, numbered 30[v]–31[r]) Gloria Patri et Filio (sheets 31v–32r, numbered 30[v]–31[r]) |
| SCORING | 4 vocal parts: [Cantus], [Altus], [Tenor], [Bassus] |
| CLEFS | C2, C4, C4, F4 |
| LITURGICAL SOURCE | PD, fol. 86r–v: Magnificat, verses 1, 3, 5, 7, 9 and 11 |
| LITURGICAL FEAST | Vespers |
| LITURGICAL GENRE | Magnificat |
| LITURGICAL SOURCE | PD, fol. 86r–v: Magnificat, verses 1, 3, 5, 7, 9 and 11 |
| TEXT | 1 Magnificat anima mea Dominum. 3 Quia respexit humilitatem ancillae suae: ecce enim ex hoc beatam me dicent omnes generationes. 5 Et misericordia eius a progenie in progenies timentibus eum. 7 Deposuit potentes de sede et exaltavit humiles. 9 Suscepit Israel puerum suum, recordatus misericordiae suae. 11 Gloria Patri et Filio et Spiritui Sancto. |
| TRANSCRIPTION |
|
| LITERATURE | Collarile: Suono dell’eterno Passadore, Rossi: San Marco, no. 1936 (22) |
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