Choirbook 14
| SHELF MARK | Basilica di San Marco, Libri musicali 14 |
| SHORT TITLE | Collection of 30 Anonymous Works: 25 Hymns, 2 Motets, 2 Antiphons, 1 Magnificat |
DESCRIPTION
| IDENTIFIER | DOI: 10.14277/unive/vmo/soundstmark/2017/choirbook14 |
| PHYSICAL DESCRIPTION | 98 sheets, in-folio Maximum sheet size (mm): 519 (height) x 382 (width) 87 sheets numbered per page from 1 to 172 (from verso of first sheet to recto of sheet [87]) + 11 unnumbered sheets (blank staves only) The manuscript is articulated in two sections: Section A comprises the first ten sheets (pp. 1–19), Section B the remainder of the manuscript. Sheet [62] (pp. 124–125) is a later addition. The bottom of sheet [67] (pp. 134–135) presents a lacuna. |
| BINDING | Hardbound in leather with drypoint engravings and four metal bosses on each side. Traces of two front clasps. Six raised bands (simple twine). In all probability, the binding dates from the second half of the eighteenth century, when the manuscript was also trimmed. The latter operation caused the partial removal of captions and other annotations from the upper margin. The original binding of the choirbook was not removed during restoration in 2015. |
| MATERIAL |
Paper: 2 types Type 1: Sheets 1–62, 64–98 Chain line width (mm): 33 Watermark 1a (centre of half-sheet): Letter ‘V’ Watermark 1b (centre of half-sheet): Trefoil with letters ‘b’ ‘V’ Type 2: Sheet 63 Chain line width (mm): 33 Watermark 2 (centre of half-sheet): Letter ‘V’ |
| DATING | Before 1720? With some later interventions (see Copyists) |
| COPYIST(S) | Three unknown copyists: Copyist 1: Anonymous 11 (pp. 1–123 and 126–160), before 1720? Copyist 2: Anonymous 12 (pp. 124–125), after 1720 Copyist 3: Anonymous 13 (pp. 161–172), after 1720 Some parts of the manuscript (pp. 1–12, 20–52, 60–64, 93–120 and 127–136) were written over in a darker ink, probably by Anonymous 13. |
| INVENTORY | Marchio Angeli (1720), no. 31 ? |
| NOTES | The manuscript certainly dates from after 1671, when ‘Te Ioseph celebrent agmina caelitum’ (no. 27), a hymn in honour of St Joseph, was added to the Breviarium Romanum and subsequently to the Venetian ducal liturgy. The reference to 1720 is due to the possible identification of the choirbook in an item of Marchio Angeli’s inventory (1720). |
| LITERATURE | Caffi: San MarcoCollarile: Suono dell’eterno Passadore, Rossi: San Marco, no. 1934 |
CONTENT
Choirbook 14_01
| INCIPIT | Conditor alme syderum |
| COMPOSER | Anonymous |
| DESCRIPTION | Conditor alme syderum (pp. 1–2) Vergente mundi vespere (pp. 3–4) Te deprecamur agie (pp. 5–6) |
| SCORING | 4 vocal parts: [Cantus], [Altus], [Tenor], [Bassus] |
| CLEFS | C2, C3, C4, F4 |
| LITURGICAL SOURCE | Hymn Conditor alme syderum, strophes 1, 3 and |
| LITURGICAL FEAST | PD, fol. 107v: ‘Dominica prima Adventus, et per totum Adventum, ad Vesperas Hymnus.’ VOM, fols 2v (1st Sunday of Advent, Vespers), 3r (week after 1st Sunday of Advent, Vespers), 4v (3rd Sunday of Advent, Vespers) |
| LITURGICAL GENRE | Hymn |
| LITURGICAL SOURCE | Hymn Conditor alme syderum, strophes 1, 3 and |
| TEXT | 1 Conditor alme syderum, Aeterna lux credentium, Christe redemptor omnium, Exaudi preces supplicum. [source: ‘suplicum’] 3 Vergente mundi vespere, Uti sponsus de thalamo: Egressus honestissima, Virginis matris clausula. 5 Te deprecamur agie, Venture iudex saeculi: Conserva nos in tempore, Hostis a telo perfidi. |
| TRANSCRIPTION |
|
| OTHER SOURCES | I-Vsm, C.84/1–6 (see Passadore, Rossi: San Marco, no. 788, 42) |
| NOTES | Attribution to Bonaventura Furlanetto in Passadore, Rossi: San Marco, no. 1934 (1). |
| LITERATURE | Collarile: Suono dell’eterno Passadore, Rossi: San Marco, no. 1934 (1) |
Choirbook 14_02
| INCIPIT | Ianitor caeli doctor orbis pariter |
| COMPOSER | Anonymous |
| DESCRIPTION | Ianitor caeli doctor orbis pariter (pp. 7–8) Sit Trinitati sempiterna gloria (pp. 9–10) |
| SCORING | 4 vocal parts: [Cantus], [Altus], [Tenor], [Bassus] |
| CLEFS | C2, C4, C4, F4 |
| LITURGICAL SOURCE | Hymn Aurea luce et decore roseo, strophes 2 and 4 |
| LITURGICAL FEAST | PD, fols 125r–126r: ‘In festo S.S. Apostolorum, Petri, et Pauli: Ad Vesperas, Hymnus.’ VOM, fol. 97r (Sts Peter and Paul, 1st Vespers) |
| LITURGICAL GENRE | Hymn |
| LITURGICAL SOURCE | Hymn Aurea luce et decore roseo, strophes 2 and 4 |
| TEXT | 2 Ianitor caeli, doctor orbis pariter, Iudices saecli, vera mundi lumina, Per crucem alter, alter ense triumphans, Vitae senatum laureati possident. 4 Sit Trinitati sempiterna gloria, Honor, potestas atque iubilatio, In unitate, cui manet imperium Ex tunc et modo per aeterna saecula. |
| TRANSCRIPTION |
|
| OTHER SOURCES | I-Vsm, C.84/1–6 (see Passadore, Rossi: San Marco, no. 788, 19) |
| NOTES | PD contains full text and liturgical chant. VOM gives incipit only. |
| LITERATURE | Collarile: Suono dell’eterno Passadore, Rossi: San Marco, no. 1934 (2) |
Choirbook 14_03
| INCIPIT | Impar ancilla Domine |
| COMPOSER | Anonymous |
| DESCRIPTION | Impar ancilla Domine (pp. 11–12) Maria pedes genuit (pp. 13–14) Accessit eius merito (pp. 15–16) Gloria sit ingenito (pp. 17–18) |
| SCORING | 4 vocal parts: [Cantus], [Altus], [Tenor], [Bassus] |
| CLEFS | C2, C4, C4, F4 |
| LITURGICAL SOURCE | Hymn Maria mater Domini, strophes 2, 4, 6 and 8 |
| LITURGICAL FEAST | PD, fols 126v–128r: ‘In festo S. Mariae Magd. Hymni secundu[m] Curiam Romanam sunt infrascripti: Nos autem habemus illos, qui hos statim sequuntur. [...] Ad Vesperas. Hymnus.’ VOM, fol. 102r (St Mary Magdalene, 1st Vespers) |
| LITURGICAL GENRE | Hymn |
| LITURGICAL SOURCE | Hymn Maria mater Domini, strophes 2, 4, 6 and 8 |
| TEXT | 2 Impar ancilla Domine, Sed pari fulget nomine: Haec forma paenitentiae, Sed illa mater veniae. 4 Maria pedes genuit, Quos ista plorans tenuit: Quia dilexit nimium, Purgata labe criminum. 6 Accessit eius merito Mirabilis dignatio: Unguento nardi pistici Perfudit caput Domini. 8 Gloria sit Ingenito, Eiusque unigenito: Cum Spiritu paraclito, Nec nato nec ingenito. |
| TRANSCRIPTION |
|
| NOTES | PD contains full text and liturgical chant. Strophe 8 reads: ‘Sit Patri laus ingenito / Eiusque unigenito / Cum Spiritu paraclito / Et nunc et in perpetuum. Amen’. VOM gives incipit only. |
| LITERATURE | Collarile: Suono dell’eterno Passadore, Rossi: San Marco, no. 1934 (3) |
Choirbook 14_04
| INCIPIT | Sex ante Paschae ferias |
| COMPOSER | Anonymous |
| DESCRIPTION | Sex ante Paschae ferias (pp. 21–22) Post haec iugalis asinae (pp. 23–24) O quam stupenda pietas (pp. 25–26) Rex ecce tuus humilis (pp. 27–28) Coetus sequens et praevius (pp. 29–30) Ad cuius omnis civitas (pp. 31–32) |
| SCORING | 4 vocal parts: [Cantus], [Altus], [Tenor], [Bassus] |
| CLEFS | C2, C4, C4, F4 |
| LITURGICAL SOURCE | Hymn Magnum salutis gaudium, strophes 2, 4, 6, 8, 10 and 12 |
| LITURGICAL FEAST | PD, fol. 113r-v: ‘In Dominica Palmarum, Ad vesperas. Hymnus.’ VOM: fols 47v (Palm Sunday, 1st Vespers), 48r (Palm Sunday, 2nd Vespers) |
| LITURGICAL GENRE | Hymn |
| LITURGICAL SOURCE | Hymn Magnum salutis gaudium, strophes 2, 4, 6, 8, 10 and 12 |
| TEXT | 2 Sex ante Paschae ferias Advenit in Bethaniam: Ubi pie post triduum Resuscitavit Lazarum. 4 Post haec iugalis asinae Iesus supernus arbiter: Pullum sedebat, inclitam Pergebat Ierosolymam. [source: ‘Ierosolimam’] 6 O quam stupenda pietas, Mira Dei clementia: Sessor aselli fieri Dignatur auctor saeculi. 8 Rex ecce tuus humilis Noli timere veniet: Pullo iugalis residens, [PD: ‘iugali’] Tibi benignus, patiens. 10 Coetus sequens et praevius, Sanctoque plenus Spiritu, Clamabat in altissimis, Osanna Filio David. 12 Ad cuius omnis civitas Commota ingressum tremuit: Hebraea plebs aurea Laudes ferebat debitas |
| TRANSCRIPTION |
|
| NOTES | For the text see Arthur Sumner Walpole: Early Latin Hymns with Introduction and Notes. Cambridge: Cambridge University Press, 1922, pp. 337–340. PD contains full text and liturgical chant. VOM gives incipit only. In both sources, Strophe 1, line 1 reads ‘Magno salutis gaudio’. The setting follows the order of the strophes in PD, which differs from the normal Tridentine reading. |
| LITERATURE | Collarile: Suono dell’eterno Passadore, Rossi: San Marco, no. 1934 (4 and 5) |
Choirbook 14_05
| INCIPIT | Te lucis ante terminum |
| COMPOSER | Anonymous |
| DESCRIPTION | Te lucis ante terminum (pp. 33–34) Praesta Pater omnipotens (pp. 35–36) |
| SCORING | 4 vocal parts: [Cantus], [Altus], [Tenor], [Bassus] |
| CLEFS | C2, C3, C4, F4 |
| LITURGICAL SOURCE | Hymn Te lucis ante terminum, strophes 1 and 3 |
| LITURGICAL FEAST | PD, fols 102v–103r: ‘Ad Completorium. […] Hymnus.’ |
| LITURGICAL GENRE | Hymn |
| LITURGICAL SOURCE | Hymn Te lucis ante terminum, strophes 1 and 3 |
| TEXT | 1 Te lucis ante terminum, Rerum creator poscimus: Ut solita clementia, Sis praesul ad custodiam. 3 Praesta Pater omnipotens, Per Iesum Christum Dominum: Qui tecum in perpetuum, Regnat cum Sancto Spiritu. |
| TRANSCRIPTION |
|
| OTHER SOURCES | I-Vsm, C.84/1–6 (see Passadore, Rossi: San Marco, no. 788, 20) |
| NOTES | PD contains full text and liturgical chant. Attribution to Bonaventura Furlanetto in Passadore, Rossi: San Marco, no. 1934 (6). |
| LITERATURE | Collarile: Suono dell’eterno Passadore, Rossi: San Marco, no. 1934 (6) |
Choirbook 14_06
| INCIPIT | Ave regina caelorum |
| COMPOSER | Anonymous |
| DESCRIPTION | Ave regina caelorum (pp. 37–42) |
| SCORING | 4 vocal parts: [Cantus], [Altus], [Tenor], [Bassus] |
| CLEFS | G2, C2, C3, C4 |
| LITURGICAL SOURCE | Marian antiphon |
| LITURGICAL FEAST | PD, fol. 104r: ‘Sequens Antiphona dicitur post Purificationem, idest, a fine Completorij illius diei, usque ad Feriam quintam in Coena Domini, exclusive.’ |
| LITURGICAL GENRE | Antiphon / Motet |
| LITURGICAL SOURCE | Marian antiphon |
| TEXT | Ave regina caelorum, Ave domina angelorum: Salve radix, salve porta, Ex qua mundo lux est orta. Gaude virgo gloriosa, Super omnes speciosa: Vale o valde decora, Et pro nobis Christum exora. |
| TRANSCRIPTION |
|
| LITERATURE | Collarile: Suono dell’eterno Passadore, Rossi: San Marco, no. 1934 (7) |
Choirbook 14_07
| TITLE IN SOURCE | [p. 43:] ‘In Festo Martirum’ |
| INCIPIT | Hi sunt quos retinens mundus inhorruit |
| COMPOSER | Anonymous |
| DESCRIPTION | Hi sunt quos retinens mundus inhorruit (pp. 43–44) Caeduntur gladiis more bidentium (pp. 45–46) Te summa deitas unaque poscimus (pp. 47–48) |
| SCORING | 4 vocal parts: [Cantus], [Altus], [Tenor], [Bassus] |
| CLEFS | C1, C3, C4, F4 |
| LITURGICAL SOURCE | Hymn Sanctorum meritis inclita gaudia, strophes 2, 4 and 6 |
| LITURGICAL FEAST | PD, fol. 134r-v: ‘In Natalitiis Plurimorum Mart. Ad Vesperas. Hymnus.’ VOM: fol. 130r (Common of Several Martyrs, Vespers) |
| LITURGICAL GENRE | Hymn |
| LITURGICAL SOURCE | Hymn Sanctorum meritis inclita gaudia, strophes 2, 4 and 6 |
| TEXT | 2 Hi sunt quos retinens mundus inhorruit: Ipsum nam sterili flore peraridum, Sprevere penitus, teque secuti sunt, Rex Christe bone caelitum. 4 Caeduntur gladiis more bidentium, Non murmur resonat, non quaerimonia: Sed corde tacito mens bene conscia Conservat patientiam. 6 Te summa Deitas, unaque poscimus Ut culpas abluas, noxia subtrahas, Des pacem famulis, nos quoque gloriam, Per cuncta tibi saecula. |
| TRANSCRIPTION |
|
| OTHER SOURCES | I-Vsm, C.84/1–6 (see Passadore, Rossi: San Marco, no. 788, 21) |
| NOTES | Attribution to Bonaventura Furlanetto in Passadore, Rossi: San Marco, no. 1934 (8). |
| LITERATURE | Collarile: Suono dell’eterno Passadore, Rossi: San Marco, no. 1934 (8) |
Choirbook 14_08
| TITLE IN SOURCE | [p. 49:] ‘In Festo Virginu[m]’ |
| INCIPIT | Haec tua virgo duplici beata |
| COMPOSER | Anonymous |
| DESCRIPTION | Haec tua virgo duplici beata (pp. 49–50) Huius obtentu Deus alme nostris (pp. 51–52) |
| SCORING | 4 vocal parts: [Cantus], [Altus], [Tenor], [Bassus] |
| CLEFS | C2, C4, C4, F4 |
| LITURGICAL SOURCE | Hymn Virginis proles opifexque matris, strophes 2 and 4 |
| LITURGICAL FEAST | PD, fols 136v–137r: ‘In Natalitiis Virginum. [...] Ad Nocturnum. Hymnus.’ VOM: fol. 137r (Common of Virgins, Vespers) |
| LITURGICAL GENRE | Hymn |
| LITURGICAL SOURCE | Hymn Virginis proles opifexque matris, strophes 2 and 4 |
| TEXT | 2 Haec tua virgo duplici beata, Sorte dum gestit fragilem domare, Corporis sexum, domuit cruentum Corpore saeclum. 4 Huius obtentu Deus alme nostris, Parce iam culpis, vitia remittens, Quo tibi puri resonemus almum, Pectoris hymnum. |
| TRANSCRIPTION |
|
| OTHER SOURCES | I-Vsm, C.84/1–6 (see Passadore, Rossi: San Marco, no. 788, 8) |
| NOTES | Attribution to Bonaventura Furlanetto in Passadore, Rossi: San Marco, no. 1934 (9). |
| LITERATURE | Collarile: Suono dell’eterno Passadore, Rossi: San Marco, no. 1934 (9) |
Choirbook 14_09
| INCIPIT | Ad preces nostras deitatis aures |
| COMPOSER | Anonymous |
| DESCRIPTION | Ad preces nostras deitatis aures (pp. 53–54) Crimina laxa pietate multa (pp. 55–56) Christe lux vera bonitas et vita (pp. 57–58) Tu nobis dona fontem lacrimarum (pp. 59–60) Gloria Deo sit aeterno Patri (pp. 61–64) |
| SCORING | 4 vocal parts: [Cantus], [Altus], [Tenor], [Bassus] |
| CLEFS | C1, C2, C3, F3 |
| LITURGICAL SOURCE | Hymn Ad preces nostras deitatis aures, strophes 1, 3, 5, 7 and 9 |
| LITURGICAL FEAST | PD, fol. 110r-v: ‘In Quadragesima In Sabbatis, et Dominicis diebus usque ad Passionem ad Vesp. Hymnus.’ VOM, fols 37r (1st Sunday of Lent, Vespers), 40r (2nd Sunday of Lent, Vespers), 41v (3rd Sunday of Lent, Vespers), 43r and 43v (4th Sunday of Lent, Vespers) |
| LITURGICAL GENRE | Hymn |
| LITURGICAL SOURCE | Hymn Ad preces nostras deitatis aures, strophes 1, 3, 5, 7 and 9 |
| TEXT | 1 Ad preces nostras deitatis aures, [PD: ‘Aures ad nostras deitatis preces’] Deus inclina pietate sola: Supplicum vota suscipe praecamur [source: ‘Suplicum [...] precamur’] Famuli tui. 3 Crimina laxa pietate multa Ablue sordes, vincula disrumpe Parce peccatis, releva iacentes Dextera tua. 5 Christe lux vera, bonitas et vita, Gaudium mundi, pietas immensa, Qui nos a morte roseo salvasti Sanguine tuo. 7 Tu nobis dona fontem lacrimarum, Ieiuniorum fortia ministra: Vitia carnis millia retunde Framea tua. 9 Gloria Deo sit aeterno Patri, Sit tibi semper genitoris nate: Cum quo aequalis Spiritus per cuncta Saecula regnat. Amen. |
| TRANSCRIPTION |
|
| LITERATURE | Collarile: Suono dell’eterno Passadore, Rossi: San Marco, no. 1934 (10) |
Choirbook 14_10
| INCIPIT | Et exultavit spiritus meus |
| COMPOSER | Anonymous |
| DESCRIPTION | Et exultavit spiritus meus (pp. 65–66) Quia fecit mihi magna qui potens est (pp. 67–68) Fecit mihi potentiam in brachio suo (pp. 69–70) Esurientes implevit bonis (pp. 71–72) Sicut locutus est ad patres nostros (pp. 73–74) Sicut erat in principio et nunc et semper (pp. 75–76) |
| SCORING | 4 vocal parts: [Cantus], [Altus], [Tenor], [Bassus] |
| CLEFS | G2, C2, C3, C4 |
| LITURGICAL SOURCE | PD, fol. 86r-v: Magnificat, strophes 2, 4, 6, 8, 10 and 12 |
| LITURGICAL FEAST | Vespers |
| LITURGICAL GENRE | Magnificat |
| LITURGICAL SOURCE | PD, fol. 86r-v: Magnificat, strophes 2, 4, 6, 8, 10 and 12 |
| TEXT | 2 Et exultavit spiritus meus in Deo salutari meo. 4 Quia fecit mihi magna qui potens est et sanctum nomen eius. 6 Fecit potentiam in brachio suo dispersit superbos mente cordis sui. 8 Esurientes implevit bonis et divites dimisit inanes. 10 Sicut locutus est ad patres nostros Abraham et semini eius in saecula. 12 Sicut erat in principio et nunc et semper et in saecula saeculorum. Amen. |
| TRANSCRIPTION |
|
| LITERATURE | Collarile: Suono dell’eterno Passadore, Rossi: San Marco, no. 1934 (11) |
Choirbook 14_11
| TITLE IN SOURCE | [p. 77:] ‘In Festo Confessoru[m] I°’ |
| INCIPIT | Qui pius prudens humilis pudicus |
| COMPOSER | Anonymous |
| DESCRIPTION | Qui pius prudens humilis pudicus (pp. 77–78) Unde nunc noster chorus in honorem (pp. 79–80) |
| SCORING | 4 vocal parts: [Cantus], [Altus], [Tenor], [Bassus] |
| CLEFS | C2, C3, C4, F4 |
| LITURGICAL SOURCE | Hymn Iste confessor Domini sacratus, strophes 2 and 4 (PD) |
| LITURGICAL FEAST | PD, fol. 135r-v: ‘In Natali Confessoris Pontificis. Ad Vesp. et ad Nocturnum. Hymnus.’ VOM, fol. 85r (St Gregory, Vespers) |
| LITURGICAL GENRE | Hymn |
| LITURGICAL SOURCE | Hymn Iste confessor Domini sacratus, strophes 2 and 4 (PD) |
| TEXT | 2 Qui pius, prudens, humilis, pudicus, Sobrius, castus fuit et quietus, Vita dum praesens vegetavit eius Corporis artus. 4 Unde nunc noster chorus in honorem Ipsius hymnum canit hunc libenter, Ut piis eius meritis iuvemur Omne per aevum. |
| TRANSCRIPTION |
|
| OTHER SOURCES | I-Vsm, C.84/1–6 (see Passadore, Rossi: San Marco, no. 788, 6) |
| NOTES | Attribution to Bonaventura Furlanetto in Passadore, Rossi: San Marco, no. 1934 (12). |
| LITERATURE | Collarile: Suono dell’eterno Passadore, Rossi: San Marco, no. 1934 (12) |
Choirbook 14_12
| INCIPIT | Quid mihi est in caelo |
| COMPOSER | Anonymous |
| DESCRIPTION | Quid mihi est in caelo (pp. 81–86) |
| SCORING | 4 vocal parts: [Cantus], [Altus], [Tenor], [Bassus] |
| CLEFS | C2, C4, C4, F4 |
| LITURGICAL SOURCE | PD, fols 55v–56r (from Ps. 72 in the liturgy of Matins, Feria V): ‘Quid enim mihi restat in caelo: et a te quid volui super terram: / Defecit cor meum, et caro mea: Deus cordis mei, et pars mea Deus in saecula’. |
| LITURGICAL GENRE | Motet |
| LITURGICAL SOURCE | PD, fols 55v–56r (from Ps. 72 in the liturgy of Matins, Feria V): ‘Quid enim mihi restat in caelo: et a te quid volui super terram: / Defecit cor meum, et caro mea: Deus cordis mei, et pars mea Deus in saecula’. |
| TEXT | Quid mihi est in caelo et a te quid volui super terram. Defecit caro mea et cor meum: Deus cordis mei et pars mea Deus in aeternum. Alleluia. |
| TRANSCRIPTION |
|
| NOTES | Attribution to Antonio Lotti in Passadore, Rossi: San Marco, no. 1934 (13). |
| LITERATURE | Collarile: Suono dell’eterno Passadore, Rossi: San Marco, no. 1934 (13) |
Choirbook 14_13
| INCIPIT | In medio ecclesiae aperuit os eius |
| COMPOSER | Anonymous |
| DESCRIPTION | In medio ecclesiae aperuit os eius (pp. 87–90) |
| SCORING | 4 vocal parts: [Cantus], [Altus], [Tenor], [Bassus] |
| CLEFS | C2, C3, C4, F4 |
| LITURGICAL SOURCE | 8th respond and verse, Matins |
| LITURGICAL FEAST | Common of Doctors of the Church |
| LITURGICAL GENRE | Motet |
| LITURGICAL SOURCE | 8th respond and verse, Matins |
| TEXT | In medio ecclesiae aperuit os eius et implevit eum Dominus spiritu sapientiae et intellectus. Iucunditatem et exultationem thesaurizavit super eum. |
| TRANSCRIPTION |
|
| NOTES | Attribution to Antonio Lotti in Passadore, Rossi: San Marco, no. 1934 (14). |
| LITERATURE | Collarile: Suono dell’eterno Passadore, Rossi: San Marco, no. 1934 (14) |
Choirbook 14_14
| INCIPIT | Regina caeli laetare, alleluia |
| COMPOSER | Anonymous |
| DESCRIPTION | Regina caeli laetare, alleluia (pp. 93–94) |
| SCORING | 4 vocal parts: [Cantus], [Altus], [Tenor], [Bassus] |
| CLEFS | C3, C4, C4, F4 |
| LITURGICAL SOURCE | Marian antiphon |
| LITURGICAL FEAST | PD, fol. 104v: ‘Sequens Antiphona dicitur a Completorio Sabbati sancti usque ad Nonam Sabbati post Pentecosten inclusive.’ |
| LITURGICAL GENRE | Antiphon / Motet |
| LITURGICAL SOURCE | Marian antiphon |
| TEXT | Regina caeli laetare, alleluia. Quia quem meruisti portare, alleluia. Resurrexit sicut dixit, alleluia. Ora pro nobis Deum, alleluia. |
| TRANSCRIPTION |
|
| LITERATURE | Collarile: Suono dell’eterno Passadore, Rossi: San Marco, no. 1934 (15) |
Choirbook 14_15
| INCIPIT | Ibant magi, quam viderant |
| COMPOSER | Anonymous |
| DESCRIPTION | Ibant magi, quam viderant (pp. 93–94) Novum genus potentiae (pp. 95–96) |
| SCORING | 4 vocal parts: [Cantus], [Altus], [Tenor], [Bassus] |
| CLEFS | C1, C2, C3, C4 |
| LITURGICAL SOURCE | Hymn Hostis Herodes impie, strophes 2 and 6 |
| LITURGICAL FEAST | PD, fol. 109v: ‘In Epiphania Domini, Ad Vesperas, et infra Octavam ad Nocturnum, Hymnus.’ VOM, fols 19v (Epiphany, 1st Vespers), 20v (Epiphany, 2nd Vespers), 21v (Octave of Epiphany, 1st and 2nd Vespers) |
| LITURGICAL GENRE | Hymn |
| LITURGICAL SOURCE | Hymn Hostis Herodes impie, strophes 2 and 6 |
| TEXT | 2 Ibant magi, quam viderant, Stellam sequentes praeviam: Lumen requirunt lumine, Deum fatentur munere. 6 Novum genus potentiae, Aquae rubescunt hydriae, Vinumque iussa fundere, Mutavit unda originem. |
| TRANSCRIPTION |
|
| LITERATURE | Collarile: Suono dell’eterno Passadore, Rossi: San Marco, no. 1934 (16) |
Choirbook 14_16
| INCIPIT | Qui mane iunctum vesperi |
| COMPOSER | Anonymous |
| DESCRIPTION | Qui mane iunctum vesperi (pp. 97–98) Caelorum pulset intimum (pp. 99–100) |
| SCORING | 4 vocal parts: [Cantus], [Altus], [Tenor], [Bassus]. Strophe 4 has extra part in canon at upper 5th with [Bassus]; the latter is marked ‘In diapente’ [Canon]. |
| CLEFS | G2, C2, C3, C4 |
| LITURGICAL SOURCE | Hymn Lucis creator optime, strophes 2 and 4 |
| LITURGICAL FEAST | PD, fol. 86r: ‘Dominica ad Vesperas. [...] Hymnus. [...] Praedictus Hymnus cum suo versu dicitur a Dominica ij. post Epiphania[m] usque ad Dominicam primam Quadrag. et a Dominica tertia post Pentec. usque ad Adventum.’ VOM, fols 26v (1st Sunday after Octave of Epiphany, Vespers), 29v (3rd Sunday after Epiphany, Vespers), 30r (4th Sunday after Epiphany, Vespers), 30v (5th Sunday after Epiphany, Vespers), 30v-31r (Septuagesima Sunday, Vespers), 32r (Sexagesima Sunday, Vespers), 32v (Quinquagesima Sunday, Vespers), 67v (1st Sunday after Pentecost, Vespers) |
| LITURGICAL GENRE | Hymn |
| LITURGICAL SOURCE | Hymn Lucis creator optime, strophes 2 and 4 |
| TEXT | 2 Qui mane iunctum vesperi, Diem vocari praecipis: Tetrum chaos illabitur, Audi preces cum fletibus. 4 Caelorum pulset intimum, Vitale tollat praemium: Vitemus omne noxium, Purgemus omne pessimum. |
| TRANSCRIPTION |
|
| OTHER SOURCES | I-Vsm, C.84/1–6 (see Passadore, Rossi: San Marco, no. 788, 41) |
| NOTES | Attribution to Bonaventura Furlanetto in Passadore, Rossi: San Marco, no. 1934 (17). |
| LITERATURE | Collarile: Suono dell’eterno Passadore, Rossi: San Marco, no. 1934 (17) |
Choirbook 14_17
| INCIPIT | Qui paraclitus diceris |
| COMPOSER | Anonymous |
| DESCRIPTION | Qui Paraclitus diceris (pp. 101–102) Accende lumen sensibus (pp. 103–104) Per te sciamus da Patrem (pp. 105–106) |
| SCORING | 4 vocal parts: [Cantus], [Altus], [Tenor], [Bassus]. Strophe 6 has extra part in canon at lower 4th with [Cantus]; the latter is marked ‘à 5’ [Canon]. |
| CLEFS | G2, C2, C3, C4 |
| LITURGICAL SOURCE | Hymn Veni creator spiritus, strophes 2, 4 and 6 |
| LITURGICAL FEAST | PD, fol. 116r: ‘In Festo Pentecostes, Ad Vesperas, Hymnus.’ VOM, fols 59v (Pentecost, 1st Vesers), 60r (Pentecost, 2nd Vespers) |
| LITURGICAL GENRE | Hymn |
| LITURGICAL SOURCE | Hymn Veni creator spiritus, strophes 2, 4 and 6 |
| TEXT | 2 Qui paraclitus diceris Donum Dei altissimi: Fons vivus, ignis charitas Et spiritalis unctio. 4 Accende lumen sensibus, Infunde amorem cordibus: Infirma nostri corporis Virtute firmans perpeti. 6 Per te sciamus da Patrem, Noscamus atque Filium: Teque utriusque Spiritum Credamus omni tempore. |
| TRANSCRIPTION |
|
| OTHER SOURCES | I-Vsm, C.84/1–6 (see Passadore, Rossi: San Marco, no. 788, 15) |
| NOTES | Attribution to Bonaventura Furlanetto in Passadore, Rossi: San Marco, no. 1934 (18). |
| LITERATURE | Collarile: Suono dell’eterno Passadore, Rossi: San Marco, no. 1934 (18) |
Choirbook 14_18
| INCIPIT | Te caelorum militia |
| COMPOSER | Anonymous |
| DESCRIPTION | Te caelorum militia (pp. 107–108) Unum te lumen credimus (pp. 109–110) |
| SCORING | 4 vocal parts: [Cantus], [Altus], [Tenor], [Bassus]. Strophe 4 has extra part in canon at lower 4th with [Cantus]; the latter is marked ‘à 5’. |
| CLEFS | C1, C3, C4, F4 |
| LITURGICAL SOURCE | Hymn Adesto sancta Trinitas, strophes 2 and 4 |
| LITURGICAL FEAST | VOM, fol. 61v (Holy Trinity, Vespers) |
| LITURGICAL GENRE | Hymn |
| LITURGICAL SOURCE | Hymn Adesto sancta Trinitas, strophes 2 and 4 |
| TEXT | 2 Te caelorum militia Laudat, adorat, praedicat, Triplexque mundi machina Benedicat per saecula. 4 Unum te lumen credimus, Quod et ter idem colimus, Alpha et O quem dicimus, Te laudat omnis spiritus. |
| TRANSCRIPTION |
|
| NOTES | Hymn not present in PD |
| LITERATURE | Collarile: Suono dell’eterno Passadore, Rossi: San Marco, no. 1934 (19) |
Choirbook 14_19
| TITLE IN SOURCE | [p. 111:] ‘In Festo Corporis Xpti’ |
| INCIPIT | Nobis datus nobis natus |
| COMPOSER | Anonymous |
| DESCRIPTION | Nobis datus nobis natus (pp. 111–112) Verbum caro panem verum (pp. 113–114) Genitori genitoque (pp. 115–116) |
| SCORING | 4 vocal parts: [Cantus], [Altus], [Tenor], [Bassus] |
| CLEFS | C2, C3, C3, F3 |
| LITURGICAL SOURCE | Hymn Pange lingua gloriosi, strophes 2, 4 and 6 |
| LITURGICAL FEAST | PD, fols 117v–118r: ‘In Festo Corporis Christi, A Vesperas, Hymnus.’ VOM, fols 63r (Corpus Christi, 1st Vespers), 64r (Corpus Christi, 2nd Vespers), p. 20 (Feria VI after Octave of Corpus Christi) |
| LITURGICAL GENRE | Hymn |
| LITURGICAL SOURCE | Hymn Pange lingua gloriosi, strophes 2, 4 and 6 |
| TEXT | 2 Nobis datus, nobis natus Ex intacta Virgine Et in mundo conversatus, Sparso verbi semine, Sui moras incolatus, Miro clausit ordine. 4 Verbum caro, panem verum, Verbo carnem efficit: Fitque sanguis Christi merum, Et si sensus deficit: Ad firmandum cor sincerum, Sola fides sufficit. 6 Genitori genitoque Laus et iubilatio, Salus, honor, virtus quoque Sit et benedictio Procedenti ab utroque Compar sit laudatio. |
| TRANSCRIPTION |
|
| OTHER SOURCES | I-Vsm, C.84/1–6 (see Passadore, Rossi: San Marco, no. 788, 16) |
| NOTES | Attribution to Bonaventura Furlanetto in Passadore, Rossi: San Marco, no. 1934 (20). |
| LITERATURE | Collarile: Suono dell’eterno Passadore, Rossi: San Marco, no. 1934 (20) |
Choirbook 14_20
| TITLE IN SOURCE | [p. 117:] ‘In Festis B[eat]ae M[ari]ae Virginis’ |
| INCIPIT | Sumens illud ave |
| COMPOSER | Anonymous |
| DESCRIPTION | Sumens illud ave (pp. 117–118) Monstra te esse matrem (pp. 119–120) Vitam praesta puram (pp. 121–122) |
| SCORING | 4 vocal parts: [Cantus], [Altus], [Tenor], [Bassus]. In Strophe 6, [Bassus] has C1 clef with caption ‘Bassus in diapason’, indicating extra part in canon at lower octave. |
| CLEFS | C1, C3, C4, F3 |
| LITURGICAL SOURCE | Hymn Ave maris stella, strophes 2, 4 and 6 |
| LITURGICAL FEAST | PD, fols 129v–130r: ‘In Assumptione Sacratiss. Virginis, Dei genitricis Mariae, et in alijs eius Solemnitatibus, excepta Annuntiatione. Ad Vesperas. Hymnus.’ VOM, fols 81v–82r (Purification B.V.M., Vespers), 105r (B.V.M. ad Nives, Vespers), 108r (Assumption B.V.M., Vespers), 113r (Nativity B.V.M., Vespers), 126r (Presentation B.V.M., Vespers), 140r (Officium B.V.M., Vespers), pp. 32 (2nd Sunday of October: Maternity B.V.M., Vespers), 36 (10 December: Translation of Holy House of Loreto, Vespers) |
| LITURGICAL GENRE | Hymn |
| LITURGICAL SOURCE | Hymn Ave maris stella, strophes 2, 4 and 6 |
| TEXT | 2 Sumens illud ave, Gabrielis ore: Funda nos in pace, Mutans Evae nomen. 4 Monstra te esse matrem, Sumat per te preces, Qui pro nobis natus, Tulit esse tuus. 6 Vitam praesta puram, Iter para tutum, Ut videntes Iesum, Semper collaetemur. |
| TRANSCRIPTION |
|
| OTHER SOURCES | I-Vsm, C.84/1–6 (see Passadore, Rossi: San Marco, no. 788, 12) |
| NOTES | Attribution to Bonaventura Furlanetto in Passadore, Rossi: San Marco, no. 1934 (21). |
| LITERATURE | Collarile: Suono dell’eterno Passadore, Rossi: San Marco, no. 1934 (21) |
Choirbook 14_21
| TITLE IN SOURCE | [p. 123:] ‘In Festo Confessoru[m] 2:do’ |
| INCIPIT | Qui pius prudens humilis pudicus |
| COMPOSER | Anonymous |
| DESCRIPTION | Qui pius prudens humilis pudicus (pp. 123–124) Unde nunc noster chorus in honorem (pp. 125–126) |
| SCORING | 4 vocal parts: [Cantus], [Altus], [Tenor], [Bassus]. Strophe 4 has extra part in canon at upper 5th with [Tenor]; the latter is marked ‘Canon’. |
| CLEFS | C1, C3, C4, F4 |
| LITURGICAL SOURCE | Hymn Iste confessor Domini sacratus, strophes 2 and 4 |
| LITURGICAL FEAST | PD, fol. 135r-v: ‘In Natali Confessoris Pontificis. Ad Vesp. et ad Nocturnum. Hymnus.’ VOM: fol. 135v (Common of Confessor not Pope, Vespers) |
| LITURGICAL GENRE | Hymn |
| LITURGICAL SOURCE | Hymn Iste confessor Domini sacratus, strophes 2 and 4 |
| TEXT | 2 Qui pius, prudens, humilis, pudicus, Sobrius, castus fuit et quietus, Vita dum praesens vegetavit eius Corporis artus. 4 Unde nunc noster chorus in honorem Ipsius hymnum canit hunc libenter, Ut piis eius meritis iuvemur Omne per aevum. |
| TRANSCRIPTION |
|
| LITERATURE | Collarile: Suono dell’eterno Passadore, Rossi: San Marco, no. 1934 (22) |
Choirbook 14_22
| TITLE IN SOURCE | [p. 127:] ‘In Festo Apostoloru[m]’ |
| INCIPIT | Vos saecli iusti iudices |
| COMPOSER | Anonymous |
| DESCRIPTION | Vos saecli iusti iudices (pp. 127–128) Quorum praecepto subditor (pp. 129–130) Deo Patri sit gloria (pp. 131–132) |
| SCORING | 4 vocal parts: [Cantus], [Altus], [Tenor], [Bassus] |
| CLEFS | C2, C4, C4, F4 |
| LITURGICAL SOURCE | Hymn Exultet caelum laudibus, strophes 2, 4 and |
| LITURGICAL FEAST | PD, fol. 132r-v: ‘In Natali Apostolorum, Ad Vesperas, et ad Laudes. Hymnus.’ VOM, fols 73r-v (St Andrew Ap., 1st Vespers and Lauds), 79v (Conversion of St Paul Ap., Lauds), 89v (Sts Philip and James Ap., Lauds), 98v (Commemoration of St Paul Ap., Lauds), 129r (Common of Apostles, Vespers), 129v (Common of Apostles, Lauds) |
| LITURGICAL GENRE | Hymn |
| LITURGICAL SOURCE | Hymn Exultet caelum laudibus, strophes 2, 4 and |
| TEXT | 2 Vos saecli iusti iudices Et vera mundi lumina, Votis praecamur cordium, Audite preces supplicum. [source: suplicum] 4 Quorum praecepto subditur, Salus et languor omnium: Sanate aegros moribus Nos reddentes virtutibus. 6 Deo Patri sit gloria, Eiusque soli Filio, Cum Spiritu paraclito, Et nunc et in perpetuum. Amen. |
| TRANSCRIPTION |
|
| OTHER SOURCES | I-Vsm, C.84/1–6 (see Passadore, Rossi: San Marco, no. 788, 13) |
| NOTES | Attribution to Bonaventura Furlanetto in Passadore, Rossi: San Marco, no. 1934 (23). |
| LITERATURE | Collarile: Suono dell’eterno Passadore, Rossi: San Marco, no. 1934 (23) |
Choirbook 14_23
| TITLE IN SOURCE | [p. 133:] ‘In Festo Martyris unius’ |
| INCIPIT | Hic nempe mundi gaudia |
| COMPOSER | Anonymous |
| DESCRIPTION | Hic nempe mundi gaudia (pp. 133–134) Ob hoc precatu supplici (pp. 135–136 |
| SCORING | 4 vocal parts: [Cantus], [Altus], [Tenor], [Bassus]. Strophe 4 has extra part in canon at lower 4th with [Cantus]; the latter is marked ‘Canon in Diatesseron’. |
| CLEFS | C1, C3, C4, F4 |
| LITURGICAL SOURCE | Hymn Deus tuorum militum, strophes 2 and 4 |
| LITURGICAL FEAST | PD, fol. 133v–134r: ‘In Natali Unius Martyris. Ad Vesp. et ad Noct. Hym.’ VOM, fols 84r (6 February: St Gerald of Ostia, Vespers), 131v (Common of One Martyr, 1st Vespers), 132v (Common of One Martyr, 2nd Vespers) |
| LITURGICAL GENRE | Hymn |
| LITURGICAL SOURCE | Hymn Deus tuorum militum, strophes 2 and 4 |
| TEXT | 2 Hic nempe mundi gaudia Et blandimenta noxia Caduca rite deputans, Pervenit ad caelestia. 4 Ob hoc precatu supplici, [source: suplici] Te poscimus piissime, In hoc triumpho martyris, Dimitte noxam servulis. |
| TRANSCRIPTION |
|
| OTHER SOURCES | I-Vsm, C.84/1–6 (see Passadore, Rossi: San Marco, no. 788, 23) |
| NOTES | In Choirbook 14, the bass and tenor parts have lacunae (in strophes 2 and 4, respectively). The missing sections can be completed on the basis of I-Vsm, C.84/1–6 (23): see Collarile: Suono dell’eterno. Attribution to Bonaventura Furlanetto in Passadore, Rossi: San Marco, no. 1934 (24). |
| LITERATURE | Collarile: Suono dell’eterno Passadore, Rossi: San Marco, no. 1934 (24) |
Choirbook 14_24
| INCIPIT | Nil canitur suavius |
| COMPOSER | Anonymous |
| DESCRIPTION | Nil canitur suavius (pp. 137–138) Nec lingua valet dicere (pp. 139–140) Sis Iesu nostrum gaudium (pp. 141–142) |
| SCORING | 4 vocal parts: [Cantus], [Altus], [Tenor], [Bassus] |
| CLEFS | C1, C3, C4, F4 |
| LITURGICAL SOURCE | Hymn Iesu dulcis memoria, strophes 2, 4 and 5 |
| LITURGICAL FEAST | VOM, p. 4 (2nd Sunday after Epiphany: Holy Name of Jesus, Vespers) |
| LITURGICAL GENRE | Hymn |
| LITURGICAL SOURCE | Hymn Iesu dulcis memoria, strophes 2, 4 and 5 |
| TEXT | 2 Nil canitur suavius Nil auditur iucundius Nil cogitatur dulcius Quam Iesus Dei Filius. 4 Nec lingua valet dicere Nec littera exprimere Expertus potest credere Quid sit Iesum diligere. 5 Sis Iesu nostrum gaudium Qui es futurus praemium: Sit nostra in te gloria Per cuncta semper saecula. |
| TRANSCRIPTION |
|
| OTHER SOURCES | I-Vsm, C.84/1–6 (see Passadore, Rossi: San Marco, no. 788, 24) |
| NOTES | Not present in PD. Attribution to Bonaventura Furlanetto in Passadore, Rossi: San Marco, no. 1934 (25). |
| LITERATURE | Collarile: Suono dell’eterno Passadore, Rossi: San Marco, no. 1934 (25) |
Choirbook 14_25
| INCIPIT | Commune qui mundi nefas |
| COMPOSER | Anonymous |
| DESCRIPTION | Commune qui mundi nefas (pp. 143–144) Qui daemonis ne fraudibus (pp. 145–146) |
| SCORING | 4 vocal parts: [Cantus], [Altus], [Tenor], [Bassus] |
| CLEFS | C1, C3, C4, F4 |
| LITURGICAL SOURCE | Hymn Creator alme syderum, strophes 3 and 2 |
| LITURGICAL FEAST | Liturgy of the Hours during Advent (see above, no. 1). The text follows the revised version of Conditor alme syderum, introduced in Urban VIII’s BR of 1632. VOM: pp. 24 (3rd Sunday of July: feast of the Santissimo Redentore, Vespers), 37 (18 December: Expectation B.V.M., Vespers) |
| LITURGICAL GENRE | Hymn |
| LITURGICAL SOURCE | Hymn Creator alme syderum, strophes 3 and 2 |
| TEXT | 3 Commune qui mundi nefas Ut expiares ad crucem E virginis sacrario Intacta prodis victima. 2 Qui daemonis ne fraudibus Periret orbis impetu Amoris actus languidi Mundi medella factus es. |
| TRANSCRIPTION |
|
| NOTES | Not present in PD |
| LITERATURE | Collarile: Suono dell’eterno Passadore, Rossi: San Marco, no. 1934 (26) |
Choirbook 14_26
| INCIPIT | Iesu tibi sit gloria |
| COMPOSER | Anonymous |
| DESCRIPTION | Iesu tibi sit gloria (pp. 147–148) |
| SCORING | 4 vocal parts: [Cantus], [Altus], [Tenor], [Bassus] |
| CLEFS | C1, C3, C4, F4 |
| LITURGICAL SOURCE | Hymn Christe redemptor omnium, strophe 7 (BR 1629) |
| LITURGICAL FEAST | PD, fol. 108v: ‘In Nativitate Domini, Ad Vesp. et ad Noctur. Hymnus.’, where the text is the final strophe of the hymn Christe redemptor omnium. It is also the final strophe for all Christmastide hymns in PD. VOM, fols 13r-v (Christmas Eve, Vespers), 14v (Christmas, Vespers), 17r-v (Sunday within Octave of Christmas), 121v (All Saints, Vespers) |
| LITURGICAL GENRE | Hymn |
| LITURGICAL SOURCE | Hymn Christe redemptor omnium, strophe 7 (BR 1629) |
| TEXT | 7 Iesu tibi sit gloria [PD: ‘Gloria tibi Domine’] Qui natus es de Virgine: Cum Patre et almo Spiritu [PD: ‘sancto Spiritu’] In sempiterna saecula. Amen. |
| TRANSCRIPTION |
|
| LITERATURE | Collarile: Suono dell’eterno Passadore, Rossi: San Marco, no. 1934 (27) |
Choirbook 14_27
| INCIPIT | Te Ioseph celebrent agmina caelitum |
| COMPOSER | Anonymous |
| DESCRIPTION | Te Ioseph celebrent agmina caelitum (pp. 149–152) Tu natum Dominum stringis, ad exteras (pp. 153–156) Nobis summa Trias parce precantibus (pp. 157–160) |
| SCORING | 4 vocal parts: [Cantus], [Altus], [Tenor], [Bassus] |
| CLEFS | C1, C3, C4, F4 |
| LITURGICAL SOURCE | Hymnus Te Ioseph celebrent agmina caelitum, strophes 1, 3 and 5 (BR 1671) |
| LITURGICAL FEAST | VOM: pp. 17 (3rd Sunday after Easter: Patronage of St Joseph, Vespers), 39 (19 March: St Joseph, Vespers) |
| LITURGICAL GENRE | Hymn |
| LITURGICAL SOURCE | Hymnus Te Ioseph celebrent agmina caelitum, strophes 1, 3 and 5 (BR 1671) |
| TEXT | 1 Te Ioseph celebrent agmina caelitum, Te cuncti resonent christiadum chori, Qui clarus meritis iunctus es inclitae Casto foedere Virgini. 3 Tu natum Dominum stringis ad exteras Aegypti profugum tu sequeris plagas, Amissum Solymis quaeris et invenis Miscens gaudia fletibus. 5 Nobis, summa Trias, parce precantibus, Da Ioseph meritis sydera scandere, Ut tandem liceat nos tibi perpetim Gratum promere canticum. |
| TRANSCRIPTION |
|
| NOTES | Not present in PD. This hymn for the feast of St Joseph was inserted in the Roman Breviary in 1671, shortly after the elevation of the feast to Double of the Second Class by Pope Clement X (6 December 1670). The polyphonic setting is by Francesco Cavalli, then maestro di cappella at St Mark’s, or another composer of the Ducal Chapel. |
| LITERATURE | Collarile: Suono dell’eterno Passadore, Rossi: San Marco, no. 1934 (28) |
Choirbook 14_28
| TITLE IN SOURCE | [p. 161:] ‘De Vno Mart[yr]e sive de plurib[us] temp[or]e paschali.’ |
| INCIPIT | Tu tuo laetos famulos trophaeo |
| COMPOSER | Anonymous |
| DESCRIPTION | Tu tuo laetos famulos trophaeo (pp. 161–162) Nunc in excelsis Dominus refulgens (pp. 163–164) |
| SCORING | 4 vocal parts: [Cantus], [Altus], [Tenor], [Bassus] |
| CLEFS | C1, C3, C4, F4 |
| LITURGICAL SOURCE | Hymnus Vita sanctorum decus angelorum, strophes 2 and 4 |
| LITURGICAL FEAST | PD, fol. 133r-v: ‘Omnibus diebus Festivis ab Octava Paschae usque ad Ascensionem. Ad Vesperas. Hymnus.’ VOM: fol. 133r (Common of Martyrs in Eastertide, Vespers) |
| LITURGICAL GENRE | Hymn |
| LITURGICAL SOURCE | Hymnus Vita sanctorum decus angelorum, strophes 2 and 4 |
| TEXT | 2 Tu tuo laetos famulos trophaeo, Nunc in his serva placidus diebus, In quibus sanctum celebratur omnem Pascha per orbem. 4 Nunc in excelsis Dominus refulgens Et super caelos Deus elevatus, Inde venturus homo iudicatus Denuo iudex. |
| TRANSCRIPTION |
|
| OTHER SOURCES | I-Vsm, C.84/1–6 (see Passadore, Rossi: San Marco, no. 788, 1) |
| NOTES | Attribution to Bonaventura Furlanetto in Passadore, Rossi: San Marco, no. 1934 (29). |
| LITERATURE | Collarile: Suono dell’eterno Passadore, Rossi: San Marco, no. 1934 (29) |
Choirbook 14_29
| TITLE IN SOURCE | [p. 165:] ‘In Domi[ni]cis Paschalib[us]’ |
| INCIPIT | Cuius corpus sanctissimum |
| COMPOSER | Anonymous |
| DESCRIPTION | Cuius corpus sanctissimum (pp. 165–166) Iam pascha nostrum Christus est (pp. 167–168) |
| SCORING | 4 vocal parts: [Cantus], [Altus], [Tenor], [Bassus] |
| CLEFS | C1, C3, C4, F4 |
| LITURGICAL SOURCE | Hymn Ad coenam agni providi, strophes 2 and 4 |
| LITURGICAL FEAST | PD, fols 113v–114r: ‘Sabbato in Albis. Et in omnibus Dominicis, et Ferialibus diebus post Pascha usque ad Ascensionem ad vesp. Hymnus.’ VOM: fols 53v (Dominica in Albis, 1st Vespers), 55r (Dominica in Albis, 2nd Vespers) |
| LITURGICAL GENRE | Hymn |
| LITURGICAL SOURCE | Hymn Ad coenam agni providi, strophes 2 and 4 |
| TEXT | 2 Cuius corpus sanctissimum In ara crucis torridum, Cruore eius roseo Gustando vivimus Deo. 4 Iam Pascha nostrum Christus est, Qui immolatus agnus est, Sinceritatis azyma, Caro eius oblata est. |
| TRANSCRIPTION |
|
| OTHER SOURCES | I-Vsm, C.84/1–6 (see Passadore, Rossi: San Marco, no. 788, 2) |
| NOTES | Attribution to Bonaventura Furlanetto in Passadore, Rossi: San Marco, no. 1934 (30). |
| LITERATURE | Collarile: Suono dell’eterno Passadore, Rossi: San Marco, no. 1934 (30) |
Choirbook 14_30
| TITLE IN SOURCE | [p. 169:] ‘In festivitatibus Apostolorum tempore paschali’ |
| INCIPIT | Sermone blando angelus |
| COMPOSER | Anonymous |
| DESCRIPTION | Sermone blando angelus (pp. 169–170) Quo agnito discipuli (pp. 171–172) |
| SCORING | 4 vocal parts: [Cantus], [Altus], [Tenor], [Bassus] |
| CLEFS | C1, C3, C4, F4 |
| LITURGICAL SOURCE | Hymn Tristes erant Apostoli, strophes 2 and 4 |
| LITURGICAL FEAST | PD, fols 132v–133r: ‘In Communi Apostolorum. Et Evangelistarum tempore Paschali in primis et secundis Vesp. et ad Matutinu[m]. Hym.’ VOM, fols 89v–90r (Sts Philip and James, 1st and 2nd Vespers), 91r (St John before the Latin Gate, 1st Vespers) |
| LITURGICAL GENRE | Hymn |
| LITURGICAL SOURCE | Hymn Tristes erant Apostoli, strophes 2 and 4 |
| TEXT | 2 Sermone blando angelus Praedixit mulieribus: In Galilaeam Dominus Videndus est quantocius. 4 Quo agnito discipuli In Galilaeam propere Pergunt videre faciem Desideratam Domini. |
| TRANSCRIPTION |
|
| OTHER SOURCES | I-Vsm, C.84/1–6 (see Passadore, Rossi: San Marco, no. 788, 4) |
| NOTES | Attribution to Bonaventura Furlanetto in Passadore, Rossi: San Marco, no. 1934 (31). |
| LITERATURE | Collarile: Suono dell’eterno Passadore, Rossi: San Marco, no. 1934 (31) |
IMAGES 