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Choirbook 18

SHELF MARK Basilica di San Marco, Libri musicali 18
SHORT TITLE Giovanni Rovetta: Missa brevis quatuor vocibus

DESCRIPTION

IDENTIFIER DOI: 10.14277/unive/vmo/soundstmark/2017/choirbook18
PHYSICAL DESCRIPTION 1 sheet (fragment)
In-folio. Maximum sheet size (mm): 492 (height) x 361 (width)
BINDING Unbound
MATERIAL Paper: 1 type Chain line width (mm): 34
Watermark 1 (centre of half-sheet): Trefoil with letters ‘b’ ‘V’
DATING 1682 / 1683
COPYIST(S) de Sartis, Giovanni Francesco
INVENTORY Marchio Angeli (1720) no. 6
NOTES The compilation of this manuscript is probably related to a payment made by the Procuratoria di San Marco on 13 April 1683.

I-Vas, Procuratori de supra, Chiesa, reg. 148, fol. 50v:
‘Hanno anco gli sopraddetti Illustrissimi, et Eccellentissimi Signori Procuratori terminato, che de’ danari della Cassa della Chiesa sian pagate due polize de lire tresento quarantanove soldi doi a Giovanni Francesco Sarti, et al Padre Maestro Pesaro Carmelitano per intiera soddisfazione delle copie da loro fatte della Messa; Magnificat, Motteti, et Inni del già Maestro di Capella Roeti, et altre d’un altro libro di Canto fermo, et due d’altri inni compreso, la Carta rigata il tutto per servizio della medesima, come nelle dette polize de Pre Nadal Monferato attual Maesto di quella, de’ dì 30 Novembre, et 8. Marzo prossimi passati sottoscritte dall’Eccellentissimo Cassier, à quali s’abbino relazione, et sic.’

The fragment is preserved together with Choirbooks 15, 16 and 17, which contain the texts for the Paschal Triduum (from Holy Thursday to Holy Saturday). Two of these volumes were copied by the same copyist, Giovanni Francesco de Sartis.

LITERATURE Caffi: San Marco
Collarile: Sacri concerti
Collarile: Suono dell’eterno
Drennan: Attributions
Drennan: Missa brevis
Moore: Ceremoniale
Moore: Vespers at St Mark’s
Passadore, Rossi: San Marco, no. 1931
Selfridge-Field: Rovetta’s Music

CONTENT

Choirbook 18_01

TITLE IN SOURCE [Recto of sheet:]
‘MISSA BREVIS / QVATVOR VOCIB[u]S / ROVETTA’
INCIPIT Kyrie eleison
COMPOSER Giovanni Rovetta
DESCRIPTION Kyrie eleison (fol. 1v)
Christe eleison (fol. 1v)
Kyrie eleison (fol. 1v)
SCORING 2 vocal parts: Cantus, Tenor
CLEFS C2, C4
LITURGICAL SOURCE Ordinary of the mass
LITURGICAL GENRE Mass
LITURGICAL SOURCE Ordinary of the mass
TEXT Kyrie eleison
Christe eleison
Kyrie eleison
TRANSCRIPTION
OTHER SOURCES A-Wn, SA.67.G.58 Mus 25
D-B, Mus. Ms Teschner 90. fols 44r–55r
D-Dlb, Mus. 1623-D-2
I-Vnm, Cod. It. IV 1134 (=10949)
I-Vsm, B.788
CRITICAL EDITIONS Rovetta: Masses (Drennan), pp. 64–78
Collarile: Suono dell’eterno
NOTES Composed probably around 1655 (Collarile, Suono dell’eterno), this mass was regularly performed on Holy Thursday, and was still used in this specific context at the end of the 19th century. Other specific functions are documented.
LITERATURE Caffi: San Marco
Collarile: Sacri concerti
Collarile: Suono dell’eterno
Drennan: Attributions
Drennan: Missa brevis
Moore: Ceremoniale
Moore: Vespers at St Mark’s
Passadore, Rossi: San Marco, no. 1931
Selfridge-Field: Rovetta’s Music

IMAGES

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